Discoveries and Sacrifices

Letter to Dr. B--
Diane Ackerman

I have found you among the texts
(but not the textures) of your life,
in the library of your cunning,
where the abstracts of forty papers
open, one by one, like small windows
partly sealed by terminology's lacquer.
They reveal you both aloof and enthralled,
a restless mind of intersecting planes.
How can I resist the paper "Artist and Analyst"?
Yet I do, thinking it best to stay
within the frame we've chosen,
using the palette we invent,
creating a mosaic in motion.
Whenever I set a shard in place,
the mosaic evolves, blurs a moment,
then a new scene refines, throwing past into relief,
drawing present into mind.
So I will sacrifice my yen to know
the what and whim of you. Though my curiosity
is swelling like a Magellanic Cloud
filled with a luminous starfield of questions,
I'll sacrifice them on the altar of our ineffable
cause. A padded altar. A cause quilted with passion,
and insight whose razors cut clean as thrill.
A sacrifice intoxicating as any pill.

Like Inertia, a Sometimes Dangerous Thing

Momentum
Catherine Doty

Your friends won’t try to talk you out of the barrel,
or your brag to go first, which has nothing to do with bravery.
And you’re so hungry to earn their love you forget
to claim first your, perhaps, last look at this mountain—
crab apples hanging sour in the sun, abandoned Buick,
a favorite place to play, dismantled and weathered
and delicate as a voting booth. Instead you dive straight away
and headfirst into darkness, the steel drum that dusts you,
like a chicken part, with rust. Looking out, there’s nothing
to see of your friends but their calves, which are scabby,
and below them the filthy sneakers, shifting, shifting,
every foot aching to kick you off this cliff.
Their faces, you know, are blank with anticipation,
the look you see when they watch TV eating popcorn.
They’re already talking about you as if you’re gone,
as if you boarded a bus and roared out of earshot,
when one foot flashes forward and launches you.

You know as you feel that first solid slam you are lost.
The barrel changes shape with each crash to earth,
as you will later, assuming and losing lives, but this
is so true now: ankles flayed to the bone, cracked ribs
and crushed mint, the brittle, pissy sumac. Right now
the pin oaks are popping in their sockets, the hillside
wears your shoes, clouds pleat and buck. You know, of course,
that no one’s going second, and friends who tell this story
will use the word idiot, rolling their hands in the air,
but you know you know what your life is for now and rise up,
and just about scalp yourself on that tree limb above you,
another thing you couldn’t possibly know was coming,
another which, like your first breath, was not your idea.

A View of a View of Autumn

Autumn Grasses
(Shibata Zeshin, Autumn Grasses, two-panel screen)
Margaret Gibson

In fields of bush clover and hay-scent grass
the autumn moon takes refuge
The cricket's song is gold
Zeshin's loneliness taught him this
Who is coming?
What will come to pass, and pass?
Neither bruise nor sweetness nor cool air
not-knowing
knows the way
And the moon?
Who among us does not wander, and flare
and bow to the ground?
Who does not savor, and stand open
if only in secret
taking heart in the ripening of the moon?

Hackett Avenue
John Koethe

I used to like connections:
Leaves floating on the water
Like faces floating on the surface of a dream,
On the surface of a swimming pool
Once the holocaust was complete.
And then I passed through stages of belief
And unbelief, desire and restraint.
I found myself repeating certain themes
Ad interim, until they began to seem quaint
And I began to feel myself a victim of coincidence,
Inhabiting a film whose real title was my name --
Inhabiting a realm of fabulous constructions
Made entirely of words, all words
I should have known, and should have connected
Until they meant whatever I might mean.
But they're just fragments really,
No more than that.


A coast away,
And then across an ocean fifty years away,
I felt an ashen figure gliding through the leaves
-- Bewitchment of intelligence by leaves --
A body floating clothed, facedown,
A not-so-old philosopher dying in his bed
-- At least I thought I felt those things.
But then the line went dead
And I was back here in the cave, another ghost
Inhabiting the fourth part of the soul
And waiting, and still waiting, for the sun to come up.
Tell them I've had a wonderful life.
Tell Mr. DeMille I'm ready for my close-up.

But these pleasures . . .

Are they shadows that we see?
Samuel Daniel

Are they shadows that we see?
And can shadows pleasure give?
Pleasures only shadows be
Cast by bodies we conceive,
And are made the things we deem,
In those figures which they seem.
But these pleasures vanish fast,
Which by shadows are exprest:
Pleasures are not, if they last,
In their passing, is their best.
Glory is most bright and gay
In a flash, and so away.
Feed apace then greedy eyes
On the wonder you behold.
Take it sudden as it flies
Though you yake it not to hold:
When your eyes have done their part,
Thought must length it in the heart.

All the Glory of the World

We live in deeds, not years; in thoughts, not breaths
Philip James Bailey

We live in deeds, not years; in thoughts, not breaths;
In feelings, not in figures on a dial.
We should count time by heart-throbs. He most lives
Who thinks most, feels the noblest, acts the best.
And he whose heart beats quickest lives the longest:
Lives in one hour more than in years do some
Whose fat blood sleeps as it slips along their veins.
Life's but a means unto an end; that end,
Beginning, mean, and end to all things—God.
The dead have all the glory of the world.

But

You Can't Have It All
Barbara Ras

But you can have the fig tree and its fat leaves like clown hands
gloved with green. You can have the touch of a single eleven-year-old finger
on your cheek, waking you at one a.m. to say the hamster is back.
You can have the purr of the cat and the soulful look
of the black dog, the look that says, If I could I would bite
every sorrow until it fled, and when it is August,
you can have it August and abundantly so. You can have love,
though often it will be mysterious, like the white foam
that bubbles up at the top of the bean pot over the red kidneys
until you realize foam's twin is blood.
You can have the skin at the center between a man's legs,
so solid, so doll-like. You can have the life of the mind,
glowing occasionally in priestly vestments, never admitting pettiness,
never stooping to bribe the sullen guard who'll tell you
all roads narrow at the border.
You can speak a foreign language, sometimes,
and it can mean something. You can visit the marker on the grave
where your father wept openly. You can't bring back the dead,
but you can have the words forgive and forget hold hands
as if they meant to spend a lifetime together. And you can be grateful
for makeup, the way it kisses your face, half spice, half amnesia, grateful
for Mozart, his many notes racing one another towards joy, for towels
sucking up the drops on your clean skin, and for deeper thirsts,
for passion fruit, for saliva. You can have the dream,
the dream of Egypt, the horses of Egypt and you riding in the hot sand.
You can have your grandfather sitting on the side of your bed,
at least for a while, you can have clouds and letters, the leaping
of distances, and Indian food with yellow sauce like sunrise.
You can't count on grace to pick you out of a crowd
but here is your friend to teach you how to high jump,
how to throw yourself over the bar, backwards,
until you learn about love, about sweet surrender,
and here are periwinkles, buses that kneel, farms in the mind
as real as Africa. And when adulthood fails you,
you can still summon the memory of the black swan on the pond
of your childhood, the rye bread with peanut butter and bananas
your grandmother gave you while the rest of the family slept.
There is the voice you can still summon at will, like your mother's,
it will always whisper, you can't have it all,
but there is this.

Perhaps I'm irritated

by people's insistence that poetry should be about only happy things. I stand with Frost. I shall see it, and I shall say beauty.

The Part of the Bee's Body Embedded in the Flesh
Carol Frost

The bee-boy, merops apiater, on sultry thundery days
filled his bosom between his coarse shirt and his skin
with bees--his every meal wild honey.
He had no apprehension of their stings or didn't mind
and gave himself--his palate, the soft tissues of his throat--
what Rubens gave to the sun's illumination
stealing his fingers across a woman's thigh
and Van Gogh's brushwork heightened.
Whatever it means, why not say it hurts--
the mind's raw, gold coiling whirled against
air currents, want, beauty? I will say beauty.

Embodiment

Archaic Torso of Apollo
Rainer Maria Rilke
(translated by Stephen Mitchell)

We cannot know his legendary head
with eyes like ripening fruit. And yet his torso
is still suffused with brilliance from inside,
like a lamp, in which his gaze, now turned to low,
gleams in all its power. Otherwise
the curved breast could not dazzle you so, nor could
a smile run through the placid hips and thighs
to that dark center where procreation flared.
Otherwise this stone would seem defaced
beneath the translucent cascade of the shoulders
and would not glisten like a wild beast's fur:
would not, from all the borders of itself,
burst like a star: for here there is no place
that does not see you. You must change your life.

Transits and Transitions

The Layers
Stanley Kunitz

I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look
before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon
and the slow fires trailing
from the abandoned camp-sites,
over which scavenger angels
wheel on heavy wings.
Oh, I have made myself a tribe
out of my true affections,
and my tribe is scattered!
How shall the heart be reconciled
to its feast of losses?
In a rising wind
the manic dust of my friends,
those who fell along the way,
bitterly stings my face.
Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.
In my darkest night,
when the moon was covered
and I roamed through wreckage,
a nimbus-clouded voice
directed me:
"Live in the layers,
not on the litter."
Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.
I am not done with my changes.

Naked, Hoping for Spring

When Autumn Came
Faiz Ahmed Faiz
(translated by Naomi Lazard)

This is the way that autumn came to the trees:
it stripped them down to the skin,
left their ebony bodies naked.
It shook out their hearts, the yellow leaves,
scattered them over the ground.
Anyone could trample them out of shape
undisturbed by a single moan of protest.
The birds that herald dreams
were exiled from their song,
each voice torn out of its throat.
They dropped into the dust
even before the hunter strung his bow.
Oh, God of May have mercy.
Bless these withered bodies
with the passion of your resurrection;
make their dead veins flow with blood again.
Give some tree the gift of green again.
Let one bird sing.

When

When a Woman Loves a Man
by David Lehman

When she says margarita she means daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."

He's supposed to know that.

When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he
is raking leaves in Ithaca
or he is driving to East Hampton and she is standing disconsolate
at the window overlooking the bay
where a regatta of many-colored sails is going on
while he is stuck in traffic on the Long Island Expressway.

When a woman loves a man it is one ten in the morning
she is asleep he is watching the ball scores and eating pretzels
drinking lemonade
and two hours later he wakes up and staggers into bed
where she remains asleep and very warm.

When she says tomorrow she means in three or four weeks.
When she says, "We're talking about me now,"
he stops talking. Her best friend comes over and says,
"Did somebody die?"

When a woman loves a man, they have gone
to swim naked in the stream
on a glorious July day
with the sound of the waterfall like a chuckle
of water rushing over smooth rocks,
and there is nothing alien in the universe.

Ripe apples fall about them.
What else can they do but eat?

When he says, "Ours is a transitional era,"
"that's very original of you," she replies,
dry as the martini he is sipping.

They fight all the time
It's fun
What do I owe you?
Let's start with an apology
Ok, I'm sorry, you dickhead.
A sign is held up saying "Laughter."
It's a silent picture.
"I've been fucked without a kiss," she says,
"and you can quote me on that,"
which sounds great in an English accent.

One year they broke up seven times and threatened to do it
another nine times.

When a woman loves a man, she wants him to meet her at the
airport in a foreign country with a jeep.
When a man loves a woman he's there. He doesn't complain that
she's two hours late
and there's nothing in the refrigerator.

When a woman loves a man, she wants to stay awake.
She's like a child crying
at nightfall because she didn't want the day to end.

When a man loves a woman, he watches her sleep, thinking:
as midnight to the moon is sleep to the beloved.
A thousand fireflies wink at him.
The frogs sound like the string section
of the orchestra warming up.
The stars dangle down like earrings the shape of grapes.

Were we wise,

we would give all, be all, for what we have, being deeply and vividly grateful for being while the moment is. It would be good.

Jet
Tony Hoagland

Sometimes I wish I were still out
on the back porch, drinking jet fuel
with the boys, getting louder and louder
as the empty cans drop out of our paws
like booster rockets falling back to Earth

and we soar up into the summer stars.
Summer. The big sky river rushes overhead,
bearing asteroids and mist, blind fish
and old space suits with skeletons inside.
On Earth, men celebrate their hairiness,

and it is good, a way of letting life
out of the box, uncapping the bottle
to let the effervescence gush
through the narrow, usually constricted neck.

And now the crickets plug in their appliances
in unison, and then the fireflies flash
dots and dashes in the grass, like punctuation
for the labyrinthine, untrue tales of sex
someone is telling in the dark, though

no one really hears. We gaze into the night
as if remembering the bright unbroken planet
we once came from,
to which we will never
be permitted to return.
We are amazed how hurt we are.
We would give anything for what we have.

-- and we think these problems are new.

The members of every generation like to think that they're original. As the song says, 'Everything old is new again.' Nothing -- nothing at all -- is new.

Why should a foolish marriage vow
John Dryden

Why should a foolish marriage vow,
Which long ago was made,
Oblige us to each other now
When passion is decay'd?
We loved, and we loved, as long as we could,
Till our love was loved out in us both:
But our marriage is dead, when the pleasure is fled:
'Twas pleasure first made it an oath.

If I have pleasures for a friend,
And farther love in store,
What wrong has he whose joys did end,
And who could give no more?
'Tis a madness that he should be jealous of me,
Or that I should bar him of another:
For all we can gain is to give our selves pain,
When neither can hinder the other.

Of Rooms and Birds and Marriages

Instead of having a single poem, I am choosing a poet of the day: John Ciardi.

I must admit to having the winged bias of a (specific) heron. That airborne inclination noted and dismissed, Ciardi has a good word with transitions, and that is a gift I greatly appreciate.

If reading does not suit your mood of the moment, then hearing (courtesy of America's National Public Radio) is a possibility. If, rather, you hunger for reading more, but are short of cash, then know that The Collected Works of John Ciardi is online, as is an excellent Stony Brook University site. Whatever your medium, I wish you joy in verse.

An Apartment with a View

I am in Rome, Vatican bells tolling
a windowful of God and Bernini.
My neighbor, the Pope, has died
and God overnight, has wept
black mantles over the sainted
stone age whose skirted shadows
flit through to the main cave.

I nurse a cold. It must be error
to sniffle in sight of holiness.
“Liquids,” the doctor said. He has
no cure, but since I have my choice,
I sip champagne. If I must sit
dropsical to Heaven, let me at least
be ritual to a living water.

In the crypt under the cave
the stone box in its stone row
has been marked for months now.
My neighbor knew where he was going.
I half suspect I, too, know,
and that it is nothing to sneeze at,
but am left to sneeze.

I drink my ritual Moët et Chandon
and wish (my taste being misformed
for the high authentic) I had
a California—a Korbel
or an Almaden. I like it “forward,”
as clerics of such matters say,
not schooled to greatness.

It is loud in Heaven today
and in the great stone school
my neighbor kept.
The alumni procession of saints
is forming for him. Bells
clobber the air with portents.
I sniffle and sneeze,

wad kleenex, and sip champagne,
trying to imagine what it might be
to take part in a greatness,
or even in the illusion
of something like. The experience
might deepen my character,
though I am already near

the bottom of it, among wads and butts
of what was once idea. And the last swallow
I do not like the after-taste, if that
is what I am tasting. But this is ritual.
I toast my neighbor: may he
find his glass, and may its after-taste
be all that he was schooled to.

§

Men Marry What They Need

Men marry what they need. I marry you,
morning by morning, day by day, night by night,
and every marriage makes this marriage new.

In the broken name of heaven, in the light
that shatters granite, by the spitting shore,
in air that leaps and wobbles like a kite,

I marry you from time and a great door
is shut and stays shut against wind, sea, stone,
sunburst, and heavenfall. And home once more

inside our walls of skin and struts of bone,
man-woman, woman-man, and each the other,
I marry you by all dark and all dawn

and have my laugh at death.
Why should I bother the flies about me? Let them
buzz and do.
Men marry their queen, their daughter, or their mother

by hidden names, but that thin buzz whines through:
where reasons are no reason, cause is true.
Men marry what they need. I marry you.

§

White Heron

What lifts the heron leaning on the air
I praise without a name. A crouch, a flare,
a long stroke through the cumulus of trees,
a shaped thought at the sky - then gone. O rare!
Saint Francis, being happiest on his knees,
would have cried Father! Cry anything you please

But praise. By any name or none. But praise
the white original burst that lights
the heron on his two soft kissing kites.
When saints praise heaven lit by doves and rays,
I sit by pond scums till the air recites
It's heron back. And doubt all else. But praise.

Empathising with the Exhausted

Battle of Will & Exhaustion, Mother & Child
Jenny Factor

Two knights surrounded by dinosaurs
are cornered in the kitchen--all threat and bluster.
Action figures always act
even as night tries to soothe them under.

I am the one who laid a nervous hand
on a child's exhausted threat and bluster.
The bunk bed creaks as the story settles,
as night's cool hand tries to soothe us. Under

a Seussian drone I am thinking, anxious,
about someone with a nervous hand.
Will he sleep? Will he sleep? When will he sleep?
The bunk bed creaks as the shipboard settles.

What is the myth of a woman alone
who's thinking through Seuss? Her thoughts are drones
serving a terrible queen of their own.
Can she sleep? Will she sleep? When will she sleep?

The toilet's crystalline drip and the ghosts
of the walls are a myth. And this woman, alone,
is a captain steering too close to the rocks
where the ocean is serving a terrible queen.

Up on the cliff of a Friday midnight
the toilet's crystalline drip and the ghost-
ly snore of the sleepy one riding his dragons
can steer this sad captain away from her rocks.

"Rock me to sleep," cries the wild girl at twenty
up on the cliff with a young man at midnight.
Far below, waves from the sea of Alaska
snore back and forth filled with moon's breath and dragon.

Up on the cliff of a Friday's midnight,
rock me to sleep with the sound that the fridge makes.
Warmth of a tub, hole of a drain.
Memories sleep in the seas of Alaska.

Action figures always act
upon the cliff of a Friday's midnight.
Warmth of a bird's heart. Chill of a stone.
Two knights surrendered. The dinos snore.

Travelling Kind

A Green Crab's Shell
Mark Doty

Not, exactly, green:
closer to bronze
preserved in kind brine,

something retrieved
from a Greco-Roman wreck,
patinated and oddly

muscular. We cannot
know what his fantastic
legs were like--

though evidence
suggests eight
complexly folded

scuttling works
of armament, crowned
by the foreclaws'

gesture of menace
and power. A gull's
gobbled the center,

leaving this chamber
--size of a demitasse--
open to reveal

a shocking, Giotto blue.
Though it smells
of seaweed and ruin,

this little traveling case
comes with such lavish lining!
Imagine breathing

surrounded by
the brilliant rinse
of summer's firmament.

What color is
the underside of skin?
Not so bad, to die,

if we could be opened
into this--
if the smallest chambers

of ourselves,
similarly,
revealed some sky.

What will I do when you are fallen asleep?

Question
May Swenson

Body my house
my horse my hound
what will I do
when you are fallen
Where will I sleep
How will I ride
What will I hunt
Where can I go
without my mount
all eager and quick
How will I know
in thicket ahead
is danger or treasure
when Body my good
bright dog is dead
How will it be
to lie in the sky
without roof or door
and wind for an eye
With cloud for shift
how will I hide?

This year's first poem to the departing leaves . . .

Ode to the West Wind
Percy Bysshe Shelley

I

O wild West Wind, thou breath of Autumn's being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,

Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed

The wingèd seeds, where they lie cold and low,
Each like a corpse within its grave,until
Thine azure sister of the Spring shall blow

Her clarion o'er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:

Wild Spirit, which art moving everywhere;
Destroyer and Preserver; hear, O hear!


II

Thou on whose stream, 'mid the steep sky's commotion,
Loose clouds like Earth's decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,

Angels of rain and lightning: there are spread
On the blue surface of thine airy surge,
Like the bright hair uplifted from the head

Of some fierce Maenad, even from the dim verge
Of the horizon to the zenith's height,
The locks of the approaching storm. Thou dirge

Of the dying year, to which this closing night
Will be the dome of a vast sepulchre
Vaulted with all thy congregated might

Of vapours, from whose solid atmosphere
Black rain, and fire, and hail will burst: O hear!


III

Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lulled by the coil of his crystalline streams,

Beside a pumice isle in Baiae's bay,
And saw in sleep old palaces and towers
Quivering within the wave's intenser day,

All overgrown with azure moss and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic's level powers

Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know

Thy voice, and suddenly grow grey with fear,
And tremble and despoil themselves: O hear!


IV

If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share

The impulse of thy strength, only less free
Than thou, O Uncontrollable! If even
I were as in my boyhood, and could be

The comrade of thy wanderings over Heaven,
As then, when to outstrip thy skiey speed
Scarce seemed a vision; I would ne'er have striven

As thus with thee in prayer in my sore need.
Oh! lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!

A heavy weight of hours has chained and bowed
One too like thee: tameless, and swift, and proud.


V

Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies

Will take from both a deep, autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!

Drive my dead thoughts over the universe
Like withered leaves to quicken a new birth!
And, by the incantation of this verse,

Scatter, as from an unextinguished hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawakened Earth

The trumpet of a prophecy! O Wind,
If Winter comes, can Spring be far behind?

Voices, Speaking Within

Some seldom times, one reads words and they manifest themselves within the reader's being. They may whisper, touch, paint with scent, sear, smite, take their choice of verbs . . . This poem is one I read, exhausted, in the course of a train journey. It matters not how it manifested within me. Mine is a hope that it will manifest within you, as well. I feel it has truth's beauty.

My Voice
Parlaw Naderi

I come from a distant land
with a foreign knapsack on my back
with a silenced song on my lipos

As I travelled down the river of my life
I saw my voice
(like Jonah)
swallowed by a whale

And my very life lived in my voice

For those who feel sulkly when friends leave . . .

Since Hannah Moved Away
Judith Viorst

The tires on my bike are flat.
The sky is grouchy gray.
At least it sure feels like that
Since Hanna moved away.
Chocolate ice cream tastes like prunes.
December's come to stay.
They've taken back the Mays and Junes
Since Hanna moved away.
Flowers smell like halibut.
Velvet feels like hay.
Every handsome dog's a mutt
Since Hanna moved away.
Nothing's fun to laugh about.
Nothing's fun to play.
They call me, but I won't come out
Since Hanna moved away.

I know this is early,

but I am feeling the turning of the year.

On The New Year
Christopher Okigbo

Now it is over, the midnight funeral that parts
The old year from the new;
And now beneath each pew
The warden dives to find forgotten missals
Scraps of resolutions and medals;
And over lost souls in the graves

Amid the tangled leaves
The wagtail is singing:
Cheep cheep cheep the new year is coming;
Christ will come again, the churchbell is ringing
Christ will come again after the argument in heaven
Christ…….Nichodemus…….Magdalen…..
Ding dong ding……….

And the age rolls on like a wind glassed flood
And the pilgrimage to the cross is the void

And into time time slips with a lazy pace
And time into time
And need we wait while time and the hour
Roll, waiting for power?

II

To wait is to linger
With the hope that the flood will flow dry;
To hope is to point an expectant finger
At fate, fate that has long left us to lie
Marooned on the sands
Left with dry glands
To suckle as die.

Wait indeed, wait with grief laden
Hearts that throb like a diesel engine.
Throbbing with hopes:
Those hopes of men those hopes that are nowhere,
Those nebulous hopes, sand castles in the air –

Wait and hope?
The way is weary and long and time is
Fast on our heels;
Or forces life to a headlong conclusion
Nor yet like crafty Heracles
Devolve on someone else
The bulk of the globe?

III

Where then are the roots, where the solution
To life’s equation?

The roots are nowhere
There are no roots here
Probe if you may
From now until doomsday
We have to think of ourselves as forever
Soaring and sinking like dead leaves blown by a gust
Floating choicelessly to the place where
Old desires and new born hopes like bubbles burst
Into nothing – blown to the place of fear
To the cross in the void;
Or else forever playing zero-sum game
With fate as mate, and forever
Slaying and mating as one by one
Our tombstones rise in the void.

When Distance is no Boon

Meister Eckhart

When I was the stream, when I was the
forest, when I was still in the field,
when I was ever hoof, foot,
fin and wing, when I
was the sky
itself,
no one ever asked me did I have a purpose, no one ever
wondered was there anything I might need,
for there was nothing
I could not
love.
It was when I left all we once were that
the agony began, the fear and questions came;
and I wept; I wept. And tears
I had never known before.
So I returned to the river, I returned to
the mountains, I asked for their hand in marriage again,
I begged --I begged to wed every object
and creature.
And when they accepted,
God was ever present in my arms.
And God did not say,
"Where have you
been?"
For then I knew my soul - every soul
has always held
God.

It's a long way

from Spoon River Anthology, in which I acted long, long ago in a galaxy nothing like far away, but Edgar Lee Masters knows how to speak sorrow in any (uni)verse.

Fletcher McGee
Edgar Lee Masters

She took my strength by minutes,
She took my life by hours,
She drained me like a fevered moon
That saps the spinning world.
The days went by like shadows,
The minutes wheeled like stars.
She took the pity from my heart,
And made it into smiles.
She was a hunk of sculptor's clay,
My secret thoughts were fingers:
They flew behind her pensive brow
And lined it deep with pain.
They set the lips, and sagged the cheeks,
And drooped the eyes with sorrow.
My soul had entered in the clay,
Fighting like seven devils.
It was not mine, it was not hers;
She held it, but its struggles
Modeled a face she hated,
And a face I feared to see.
I beat the windows, shook the bolts.
I hid me in a corner--
And then she died and haunted me,
And hunted me for life.

Shapes of Remembrance

Failing and Flying
Jack Gilbert

Everyone forgets that Icarus also flew.
It's the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.

What if it's not a secret?

Bodyweight
Matthew Schwartz

My crutches felt heavier than I was.
They landed with a thick thud on the blacktop
each time I took a step. I had to watch how I walked
so I didn’t fall, like the other kids expected.
I liked to leave my crutches half-buried
behind the sandbox, where I couldn’t see then,
and creep up the uneven monkey bars
arced like the upper half of a globe.
I wanted to see the whole playground.
The rungs crowded too close together,
and none of them was shaped the same.
I lifted my feet slowly to keep my braces quiet
against the metal. At the top, I could still hear
the jump rope flying, my friend throwing
handfuls of sand. I slipped. I locked my arms
tighter around whatever bars I could reach, and my leg
tensed and shook and hit the rung too close to me
when I tried going down, and my foot shot
through the gap, and dangled there.
I thought I could maybe slide out.
I thought my body could fit like my food did,
but I was stuck. Everyone could see me,
everyone could hear me asking myself
What do I do with my body if it’s
not a secret?

Siluriformes

Your Catfish Friend
Richard Brautigan

If I were to live my life
in catfish forms
in scaffolds of skin and whiskers
at the bottom of a pond
and you were to come by
one evening
when the moon was shining
down into my dark home
and stand there at the edge
of my affection
and think, "It's beautiful
here by this pond. I wish
somebody loved me,"
I'd love you and be your catfish
friend and drive such lonely
thoughts from your mind
and suddenly you would be
at peace,
and ask yourself, "I wonder
if there are any catfish
in this pond? It seems like
a perfect place for them."

Inward Weather Warning

Earth Tremors Felt in Missouri
Mona Van Duyn

The quake last night was nothing personal,
you told me this morning. I think one always wonders,
unless, of course, something is visible: tremors
that take us, private and willy-nilly, are usual.
But the earth said last night that what I feel,
you feel; what secretly moves you, moves me.
One small, sensuous catastrophe
makes inklings letters, spelled in a worldly tremble.
The earth, with others on it, turns in its course
as we turn toward each other, less than ourselves, gross,
mindless, more than we were. Pebbles, we swell
to planets, nearing the universal roll,
in our conceit even comprehending the sun,
whose bright ordeal leaves cool men woebegone.

This is in thanks for good people and a day.

Te Deum
Charles Reznikoff

Not because of victories
I sing,
having none,
but for the common sunshine,
the breeze,
the largess of the spring.
Not for victory
but for the day's work done
as well as I was able;
not for a seat upon the dais
but at the common table.

Sweet Lighting

Star Quilt
Roberta J. Hill

These are notes to lightning in my bedroom.
A star forged from linen thread and patches.
Purple, yellow, red like diamond suckers, children

of the star gleam on sweaty nights. The quilt unfolds
against sheets, moving, warm clouds of Chinook.
It covers my cuts, my red birch clusters under pine.

Under it your mouth begins a legend,
and wide as the plain, I hope Wisconsin marshes
promise your caress. The candle locks

us in forest smells, your cheek tattered
by shadow. Sweetened by wings, my mothlike heart
flies nightly among geraniums.

We know of land that looks lonely,
but isn't, of beef with hides of velveteen,
of sorrow, an eddy in blood.

Star quilt, sewn from dawn light by fingers
of flint, take away those touches
meant for noisier skins,

annoint us with grass and twilight air,
so we may embrace, two bitter roots
pushing back into the dust.

Some summers never wane.

This is twice a classic: poet and translator.

Elegy 5
Ovid
(translated by Christopher Marlowe)

In summer's heat, and mid-time of the day,
To rest my limbs upon a bed I lay;
One window shut, the other open stood,
Which gave such light as twinkles in a wood,
Like twilight glimpse at setting of the sun,
Or night being past, and yet not day begun.
Such light to shamefaced maidens must be shown,
Where they may sport, and seem to be unknown.
Then came Corinna in a long loose gown,
Her white neck hid with tresses hanging down,
Resembling fair Semiramis going to bed
Or Lais of a thousand wooers sped.
I snatched her gown: being thin, the harm was small,
Yet strived she to be covered there withal.
And striving thus, as one that would be cast,
Betrayed herself, and yielded at the last.
Stark naked as she stood before mine eye,
Not one wen in her body could I spy.
What arms and shoulders did I touch and see!
How apt her breasts were to be pressed by me!
How smooth a belly under her waist saw I,
How large a leg, and what a lusty thigh!
To leave the rest, all liked me passing well,
I clinged her naked body, down she fell:
Judge you the rest; being tired she bade me kiss;
Jove send me more such afternoons as this!

The Evanescent Vital

Dreams
Langston Hughes

Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.

There having been another death in my circle . . .

Bomb Crater Sky
Lam Thi My Da

They say that you, a road builder
Had such love for our country
You rushed out and waved your torch
To call the bombs down on yourself
And save the road for the troops
As my unit passed on that worn road
The bomb crater reminded us of your story
Your grave is radiant with bright-colored stones
Piled high with love for you, a young girl
As I looked in the bomb crater where you died
The rain water became a patch of sky
Our country is kind
Water from the sky washes pain away
Now you lie down deep in the earth
As the sky lay down in that earthen crater
At night your soul sheds light
Like the dazzling stars
Did your soft white skin
Become a bank of white clouds?
By day I pass under a sun-flooded sky
And it is your sky
And that anxious, wakeful disc
Is it the sun, or is it your heart
Lighting my way
As I walk down the long road?
The name of the road is your name
Your death is a young girl's patch of blue sky
My soul is lit by your life
And my friends, who never saw you
Each has a different image of your face

We are all rehearsing.

Practice
Alice Walker

Though
Like you
I am awake
At least
Some
Of the
Time

Deep
Slumber is far
From
Unknown

I am
A
Practicing
Alice.

Because the past, too, may hold beauty . . .

This Was Once a Love Poem
Jane Hirshfield

This was once a love poem,
before its haunches thickened, its breath grew short,
before it found itself sitting,
perplexed and a little embarrassed,
on the fender of a parked car,
while many people passed by without turning their heads.

It remembers itself dressing as if for a great engagement.
It remembers choosing these shoes,
this scarf or tie.

Once, it drank beer for breakfast,
drifted its feet
in a river side by side with the feet of another.

Once it pretended shyness, then grew truly shy,
dropping its head so the hair would fall forward,
so the eyes would not be seen.

It spoke with passion of history, of art.
It was lovely then, this poem.
Under its chin, no fold of skin softened.
Behind the knees, no pad of yellow fat.
What it knew in the morning it still believed at nightfall.
An unconjured confidence lifted its eyebrows, its cheeks.

The longing has not diminished.
Still it understands. It is time to consider a cat,
the cultivation of African violets or flowering cactus.

Yes, it decides:
many miniature cacti, in blue and red painted pots.

When it finds itself disquieted
by the pure and unfamiliar silence of its new life,
it will touch them-one, then another-
with a single finger outstretched like a tiny flame.

Hardly Bed Restful

Man and Wife
Robert Lowell

Tamed by Miltown, we lie on Mother's bed;
the rising sun in war paint dyes us red;
in broad daylight her gilded bed-posts shine,
abandoned, almost Dionysian.
At last the trees are green on Marlborough Street,
blossoms on our magnolia ignite
the morning with their murderous five days' white.
All night I've held your hand,
as if you had
a fourth time faced the kingdom of the mad--
its hackneyed speech, its homicidal eye--
and dragged me home alive . . . Oh my Petite,
clearest of all God's creatures, still all air and nerve:
you were in our twenties, and I,
once hand on glass
and heart in mouth,
outdrank the Rahvs in the heat
of Greenwich Village, fainting at your feet--
too boiled and shy
and poker-faced to make a pass,
while the shrill verve
of your invective scorched the traditional South.
Now twelve years later, you turn your back.
Sleepless, you hold
your pillow to your hollows like a child;
your old-fashioned tirade--
loving, rapid, merciless--
breaks like the Atlantic Ocean on my head.

Consideration and Perception

Sonnet 15
William Shakespeare

When I consider every thing that grows
Holds in perfection but a little moment.
That this huge stage presenteth nought but shows
Whereon the stars in secret influence comment.
When I perceive that men as plants increase,
Cheerèd and checked even by the self-same sky,
Vaunt in their youthful sap, at height decrease,
And wear their brave state out of memory;
Then the conceit of this inconstant stay,
Sets you most rich in youth before my sight,
Where wasteful Time debateth with decay
To change your day of youth to sullied night;
And all in war with Time for love of you,
As he takes from you, I engraft you new.

A Matter of More Than Attire

Shirt
Robert Pinsky

The back, the yoke, the yardage. Lapped seams,
The nearly invisible stitches along the collar
Turned in a sweatshop by Koreans or Malaysians
Gossiping over tea and noodles on their break
Or talking money or politics while one fitted
This armpiece with its overseam to the band
Of cuff I button at my wrist. The presser, the cutter,
The wringer, the mangle. The needle, the union,
The treadle, the bobbin. The code. The infamous blaze
At the Triangle Factory in nineteen-eleven.
One hundred and forty-six died in the flames
On the ninth floor, no hydrants, no fire escapes--
The witness in a building across the street
Who watched how a young man helped a girl to step
Up to the windowsill, then held her out
Away from the masonry wall and let her drop.
And then another. As if he were helping them up
To enter a streetcar, and not eternity.
A third before he dropped her put her arms
Around his neck and kissed him. Then he held
Her into space, and dropped her. Almost at once
He stepped to the sill himself, his jacket flared
And fluttered up from his shirt as he came down,
Air filling up the legs of his gray trousers--
Like Hart Crane's Bedlamite, "shrill shirt ballooning."
Wonderful how the pattern matches perfectly
Across the placket and over the twin bar-tacked
Corners of both pockets, like a strict rhyme
Or a major chord. Prints, plaids, checks,
Houndstooth, Tattersall, Madras. The clan tartans
Invented by mill-owners inspired by the hoax of Ossian,
To control their savage Scottish workers, tamed
By a fabricated heraldry: MacGregor,
Bailey, MacMartin. The kilt, devised for workers
To wear among the dusty clattering looms.
Weavers, carders, spinners. The loader,
The docker, the navvy. The planter, the picker, the sorter
Sweating at her machine in a litter of cotton
As slaves in calico headrags sweated in fields:
George Herbert, your descendant is a Black
Lady in South Carolina, her name is Irma
And she inspected my shirt. Its color and fit
And feel and its clean smell have satisfied
Both her and me. We have culled its cost and quality
Down to the buttons of simulated bone,
The buttonholes, the sizing, the facing, the characters
Printed in black on neckband and tail. The shape,
The label, the labor, the color, the shade. The shirt.

Thrice Donne

John Donne, that is.

The Good-Morrow

I wonder by my troth, what thou and I
Did, till we loved? Were we not wean'd till then?
But suck'd on country pleasures, childishly?
Or snorted we in the Seven Sleepers' den?
'Twas so; but this, all pleasures fancies be;
If ever any beauty I did see,
Which I desired, and got, 'twas but a dream of thee.
And now good-morrow to our waking souls,
Which watch not one another out of fear;
For love all love of other sights controls,
And makes one little room an everywhere.
Let sea-discoverers to new worlds have gone;
Let maps to other, worlds on worlds have shown;
Let us possess one world; each hath one, and is one.
My face in thine eye, thine in mine appears,
And true plain hearts do in the faces rest;
Where can we find two better hemispheres
Without sharp north, without declining west?
Whatever dies, was not mix'd equally;
If our two loves be one, or thou and I
Love so alike that none can slacken, none can die.

§

The Sun Rising

Busy old fool, unruly Sun,
Why dost thou thus,
Through windows, and through curtains, call on us?
Must to thy motions lovers' seasons run?
Saucy pedantic wretch, go chide
Late school-boys and sour prentices,
Go tell court-huntsmen that the king will ride,
Call country ants to harvest offices;
Love, all alike, no season knows nor clime,
Nor hours, days, months, which are the rags of time.
Thy beams so reverend, and strong
Why shouldst thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long.
If her eyes have not blinded thine,
Look, and to-morrow late tell me,
Whether both th' Indias of spice and mine
Be where thou left'st them, or lie here with me.
Ask for those kings whom thou saw'st yesterday,
And thou shalt hear, "All here in one bed lay."
She's all states, and all princes I;
Nothing else is;
Princes do but play us; compared to this,
All honour's mimic, all wealth alchemy.
Thou, Sun, art half as happy as we,
In that the world's contracted thus;
Thine age asks ease, and since thy duties be
To warm the world, that's done in warming us.
Shine here to us, and thou art everywhere;
This bed thy center is, these walls thy sphere.

§

A Valediction: Forbidding Mourning

As virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say,
"The breath goes now," and some say, "No,"
So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move;
'Twere profanation of our joys
To tell the laity our love.
Moving of the earth brings harms and fears,
Men reckon what it did and meant;
But trepidation of the spheres,
Though greater far, is innocent.
Dull sublunary lovers' love
(Whose soul is sense) cannot admit
Absence, because it doth remove
Those things which elemented it.
But we, by a love so much refined
That our selves know not what it is,
Inter-assured of the mind,
Care less, eyes, lips, and hands to miss.
Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion.
Like gold to airy thinness beat.
If they be two, they are two so
As stiff twin compasses are two:
Thy soul, the fixed foot, makes no show
To move, but doth, if the other do;
And though it in the center sit,
Yet when the other far doth roam,
It leans, and hearkens after it,
And grows erect, as that comes home.
Such wilt thou be to me, who must,
Like the other foot, obliquely run;
Thy firmness makes my circle just,
And makes me end where I begun.

Self-Celebration

In a world that celebrates skinny, this poem's jubilant existence is cause for joy.

homage to my hips
Lucille Clifton

these hips are big hips
they need space to
move around in
they don't fit into little
petty places. these hips
are free hips
they don't like to be held back.
these hips have never been enslaved,
they go where they want to go
they do what they want to do.
these hips are mighty hips.
these hips are magic hips.
i have known them
to put a spell on a man and
spin him like a top!

The Greatest (Impossible) Escape

The House
Marin Sorescu

I want to build myself a house
As far away as possible
From all the things
I know.

As far away as possible from the mountains
Out of which squirrels leap in the morning
Like apostles in a clock
Naive beyond belief.

And I don’t want it on the shore
Of that white tiredness
Where I could see through every window
An enamelled scale.

And I know all the tricks
Of the plain.
What else can you expect from her
If at night she frees the grass and wheat
To grow through your ribs and temples?

In any place at all
I’d get so fearfully bored
I couldn’t even
Hang
On my wall
Pictures
The doorway would look too familiar
I’d be feeling I had to move on.

If only I could build myself a house
As far away as possible from
Myself.

Dancing INto the Light

A friend who died this summer was Brooklyn-born, of Welsh and Scottish blood, Greek by marriage and occasional disposition, multinational of taste (in terms of food and sometimes more), warm and open and, like many of us, both idiotic and intimidatingly intelligent. Cranes are potent symbols in many cultures.

This friend was a deep and joyful person, a lover of the light. I don't know that she ever read this poem, but I think that it is one she would have liked.

The Crane Dance
by Yannis Ritsos
(translated by David Harsent)


The clew paying out through his fingers, a deftness
that would bring him back to her, its softness the softness
of skin, as if drawn from herself directly, the faint
labial smell, guiding him up and out, as some dampness
on the air might lead a stone-blind man to the light.

Asterios dead for sure, his crumpled horn, his muzzle
thick with blood, so at Delos they stopped,
Theseus and the young Athenians, and stepped
up to the "altar of horns" to dance a puzzle-
dance, its moves unreadable except to those who'd walked
the blank meanders of the labyrinth.
And this was midday: a fierce sun, the blaze
of their nakedness, the glitter of repetitions, a dazzle
rising off the sea, the scents of pine and hyacinth. . .

Well, things change: new passions, new threats, new fears.
New consequences, too. Nowadays, we don't think much
about Theseus, the Minotaur, Ariadne on the beach
at Naxos, staring out at the coming years.
But people still dance that dance: just common folk,
those criss-cross steps that no one had to teach,
at weddings and wakes, in bars or parks,
as if hope and heart could meet, as if they might
even now, somehow, dance themselves out of the dark.

Still, here, in the season of endings . . .

Good Night
Wilhelm Müller

I came as a stranger; as a stranger now I leave. The flowers of May once
welcomed me warmly; a young girl spoke of love, her mother even of marriage.
Now all is bleak--the pathway covered with snow.
The time of departure is not mine to choose; I must find my way alone in
this darkness. With the shadow of the moon at my side, I search for traces of
wildlife in the white snow.
Why should I linger and give them reason to send me away? Let stray hounds
howl outside their master's house. Love likes to wander from one to another,
as if God willed it so. My darling, farewell.
A quiet step, a careful shutting of the door so your sleep is not disturbed,
and two words written on the gate as I leave, "Good night," to let you know I
thought of you.

A Song for the Survivors

1939
Marjorie Agosín
(translated by Cola Franzen and Monica Bruno Galmozzi)

I

She knew how to seduce her destiny,
predict the time of flight
In 1939, dressed in garments
of night and happiness
at the threshold of a fearful
Hamburg Harbor
resolved to live,
she sailed
to Southern seas.

In 1938, the windows
of her house of water and stone
resisted the extreme
horror of that night
of broken crystals.

She, my grandmother,
taught me to recognize
the landscape of danger,
the shards of fear,
the impenetrable faces
of women,
fleeing,
accused,
audacious in their will to live.

II

Helena Broder,
created a domain
of papers, fragile vessels,
clandestine poems and
notes to be made,
discreet addresses.
With little baggage,
like a frail and ancient
angel,
she arrived,
although ready to embark again.

I survived next to her
and I was thankful for the gift of her presence.

Word-Bridging Distance

I'm feeling homesick for Botswana (a country), so here's a taste of poetry from Africa,(a continent) along with a place to find more. Isn't it sad that I perceived a need to delineate between a country and a continent? It's sad for me and it's sad for the people who have posed questions that made me see that need. Nobody thinks that Europe is a single country . . . but many people believe that all American states are identical.

We (humans) are very strange, needlessly complex, and uselessly simplistic. I (one human) am homesick for a country in which I have spent too little time. That, too, is a cause for sorrow.

Always There
Oliver Mbamara

I am like Orji, the iroko tree
I have seen winds and waves
I have stood the storms and thunder,
Yet, at my feet lies Onu-iyi-ama
The little lovely lake of spring,
Where sits a swimming pool for kids.
Everyday, I see kids come and go,
Happy that they can swim and play.

I am like Duru-ejowe's rock, yes!
I am like the rock of Gibraltar
I have seen the harshest weathers
And the wildest beasts of the jungle,
Yet, at my feet flows the cleanest water,
And everyday, many in need do come,
To Stoop and fetch my gifts of spring
Happy that enough does flow for all.

I am like Ala, the earth, yes!
I am the ground on which you stand.
I carry all that is placed on me,
Yet, I bother no one to carry me.
You may try to run the best you can,
A mile or two or a nation far,
I am, and will be there under your feet.
Happy despite your march and pounds.

I am like Ugbua, the moment now.
I have seen the past meet the future,
I have seen ages come and go, and
Generations of people born and die.
In me, on me, events take their place.
Yes! I am what time is to change,
I am ageless as well as timeless,
And surely too, I am always there.

Bleak House?

Whether this is sad or hopeful is down to the reader's view. I leave it to your outer and inner eyes.

Although the wind
Izumi Shikibu

Although the wind
blows terribly here,
the moonlight also leaks
between the roof planks
of this ruined house.

Three Views of One River

Night on the Great River
Meng Hao-jan

(I)

translated by William Carlos Williams

Steering my little boat towards a misty islet,
I watch the sun descend while my sorrows grow:
In the vast night the sky hangs lower than the treetops,
But in the blue lake the moon is coming close.

(II)

Night on the Great River
translated by Kenneth Rexroth

We anchor the boat alongside a hazy island.
As the sun sets I am overwhelmed with nostalgia.
The plain stretches away without limit.
The sky is just above the tree tops.
The river flows quietly by.
The moon comes down amongst men.

(III)

Mooring on Chien-te River
translated by Gary Snyder

The boat rocks at anchor by the misty island
Sunset, my loneliness comes again.
In these vast wilds the sky arches down to the trees.
In the clear river water, the moon draws near.

For Those Unanchoring

Faith
David Baker

It was midday before we noticed it was morning.
The boy cousins brought us a tray—soup and cheese,
warm soda, and a soft cloth and candy for her fever.
They wouldn’t come in, the tray weighing between them.
They stood like woodwork inside the door frame.

By afternoon the old procession—silence at the lip
of a dozen night travelers tired and grieving, one
by one, or pairs floating to the bed and back
with a touching of hands like humming,
and the one we gathered for slipping farther

for all the good we could do. She lay in her shadow.
She looked to no one. Her daylilies bobbed wide
open out in the wild, blue sun and the same bee
kept nosing her window to reach them.
Dusk: even the boys were back watching it try.

Let us swim, for a moment, with a classic:

An epithalamion is a poem written in commemoration of a marriage ceremony (of which I may be performing two next month). This is one of the most famous such poems.

Epithalamion
Edmund Spenser

Ye learnèd sisters, which have oftentimes
Beene to me ayding, others to adorne,
Whom ye thought worthy of your gracefull rymes,
That even the greatest did not greatly scorne
To heare theyr names sung in your simple layes,
But joyèd in theyr praise;
And when ye list your owne mishaps to mourne,
Which death, or love, or fortunes wreck did rayse,
Your string could soone to sadder tenor turne,
And teach the woods and waters to lament
Your dolefull dreriment:
Now lay those sorrowfull complaints aside;
And, having all your heads with girlands crownd,
Helpe me mine owne loves prayses to resound;
Ne let the same of any be envide:
So Orpheus did for his owne bride!
So I unto my selfe alone will sing;
The woods shall to me answer, and my Eccho ring.

Early, before the worlds light-giving lampe
His golden beame upon the hils doth spred,
Having disperst the nights unchearefull dampe,
Doe ye awake; and, with fresh lusty-hed,
Go to the bowre of my belovèd love,
My truest turtle dove;
Bid her awake; for Hymen is awake,
And long since ready forth his maske to move,
With his bright Tead that flames with many a flake,
And many a bachelor to waite on him,
In theyr fresh garments trim.
Bid her awake therefore, and soone her dight,
For lo! the wishèd day is come at last,
That shall, for all the paynes and sorrowes past,
Pay to her usury of long delight:
And, whylest she doth her dight,
Doe ye to her of joy and solace sing,
That all the woods may answer, and your eccho ring.

Bring with you all the Nymphes that you can heare
Both of the rivers and the forrests greene,
And of the sea that neighbours to her neare:
Al with gay girlands goodly wel beseene.
And let them also with them bring in hand
Another gay girland
For my fayre love, of lillyes and of roses,
Bound truelove wize, with a blew silke riband.
And let them make great store of bridale poses,
And let them eeke bring store of other flowers,
To deck the bridale bowers.
And let the ground whereas her foot shall tread,
For feare the stones her tender foot should wrong,
Be strewed with fragrant flowers all along,
And diapred lyke the discolored mead.
Which done, doe at her chamber dore awayt,
For she will waken strayt;
The whiles doe ye this song unto her sing,
The woods shall to you answer, and your Eccho ring.

Ye Nymphes of Mulla, which with carefull heed
The silver scaly trouts doe tend full well,
And greedy pikes which use therein to feed;
(Those trouts and pikes all others doo excell;)
And ye likewise, which keepe the rushy lake,
Where none doo fishes take;
Bynd up the locks the which hang scatterd light,
And in his waters, which your mirror make,
Behold your faces as the christall bright,
That when you come whereas my love doth lie,
No blemish she may spie.
And eke, ye lightfoot mayds, which keepe the deere,
That on the hoary mountayne used to towre;
And the wylde wolves, which seeke them to devoure,
With your steele darts doo chace from comming neer;
Be also present heere,
To helpe to decke her, and to help to sing,
That all the woods may answer, and your eccho ring.

Wake now, my love, awake! for it is time;
The Rosy Morne long since left Tithones bed,
All ready to her silver coche to clyme;
And Phoebus gins to shew his glorious hed.
Hark! how the cheerefull birds do chaunt theyr laies
And carroll of Loves praise.
The merry Larke hir mattins sings aloft;
The Thrush replyes; the Mavis descant playes;
The Ouzell shrills; the Ruddock warbles soft;
So goodly all agree, with sweet consent,
To this dayes merriment.
Ah! my deere love, why doe ye sleepe thus long?
When meeter were that ye should now awake,
T' awayt the comming of your joyous make,
And hearken to the birds love-learnèd song,
The deawy leaves among!
Nor they of joy and pleasance to you sing,
That all the woods them answer, and theyr eccho ring.

My love is now awake out of her dreames,
And her fayre eyes, like stars that dimmèd were
With darksome cloud, now shew theyr goodly beams
More bright then Hesperus his head doth rere.
Come now, ye damzels, daughters of delight,
Helpe quickly her to dight:
But first come ye fayre houres, which were begot
In Joves sweet paradice of Day and Night;
Which doe the seasons of the yeare allot,
And al, that ever in this world is fayre,
Doe make and still repayre:
And ye three handmayds of the Cyprian Queene,
The which doe still adorne her beauties pride,
Helpe to addorne my beautifullest bride:
And, as ye her array, still throw betweene
Some graces to be seene;
And, as ye use to Venus, to her sing,
The whiles the woods shal answer, and your eccho ring.

Now is my love all ready forth to come:
Let all the virgins therefore well awayt:
And ye fresh boyes, that tend upon her groome,
Prepare your selves; for he is comming strayt.
Set all your things in seemely good aray,
Fit for so joyfull day:
The joyfulst day that ever sunne did see.
Faire Sun! shew forth thy favourable ray,
And let thy lifull heat not fervent be,
For feare of burning her sunshyny face,
Her beauty to disgrace.
O fayrest Phoebus! father of the Muse!
If ever I did honour thee aright,
Or sing the thing that mote thy mind delight,
Doe not thy servants simple boone refuse;
But let this day, let this one day, be myne;
Let all the rest be thine.
Then I thy soverayne prayses loud wil sing,
That all the woods shal answer, and theyr eccho ring.

Harke! how the Minstrils gin to shrill aloud
Their merry Musick that resounds from far,
The pipe, the tabor, and the trembling Croud,
That well agree withouten breach or jar.
But, most of all, the Damzels doe delite
When they their tymbrels smyte,
And thereunto doe daunce and carrol sweet,
That all the sences they doe ravish quite;
The whyles the boyes run up and downe the street,
Crying aloud with strong confusèd noyce,
As if it were one voyce,
Hymen, iö Hymen, Hymen, they do shout;
That even to the heavens theyr shouting shrill
Doth reach, and all the firmament doth fill;
To which the people standing all about,
As in approvance, doe thereto applaud,
And loud advaunce her laud;
And evermore they Hymen, Hymen sing,
That al the woods them answer, and theyr eccho ring.

Loe! where she comes along with portly pace,
Lyke Phoebe, from her chamber of the East,
Arysing forth to run her mighty race,
Clad all in white, that seemes a virgin best.
So well it her beseemes, that ye would weene
Some angell she had beene.
Her long loose yellow locks lyke golden wyre,
Sprinckled with perle, and perling flowres atweene,
Doe lyke a golden mantle her attyre;
And, being crownèd with a girland greene,
Seeme lyke some mayden Queene.
Her modest eyes, abashèd to behold
So many gazers as on her do stare,
Upon the lowly ground affixèd are;
Ne dare lift up her countenance too bold,
But blush to heare her prayses sung so loud,
So farre from being proud.
Nathlesse doe ye still loud her prayses sing,
That all the woods may answer, and your eccho ring.

Tell me, ye merchants daughters, did ye see
So fayre a creature in your towne before;
So sweet, so lovely, and so mild as she,
Adornd with beautyes grace and vertues store?
Her goodly eyes lyke Saphyres shining bright,
Her forehead yvory white,
Her cheekes lyke apples which the sun hath rudded,
Her lips lyke cherryes charming men to byte,
Her brest like to a bowle of creame uncrudded,
Her paps lyke lyllies budded,
Her snowie necke lyke to a marble towre;
And all her body like a pallace fayre,
Ascending up, with many a stately stayre,
To honors seat and chastities sweet bowre.
Why stand ye still ye virgins in amaze,
Upon her so to gaze,
Whiles ye forget your former lay to sing,
To which the woods did answer, and your eccho ring?

But if ye saw that which no eyes can see,
The inward beauty of her lively spright,
Garnisht with heavenly guifts of high degree,
Much more then would ye wonder at that sight,
And stand astonisht lyke to those which red
Medusaes mazeful hed.
There dwels sweet love, and constant chastity,
Unspotted fayth, and comely womanhood,
Regard of honour, and mild modesty;
There vertue raynes as Queene in royal throne,
And giveth lawes alone,
The which the base affections doe obay,
And yeeld theyr services unto her will;
Ne thought of thing uncomely ever may
Thereto approch to tempt her mind to ill.
Had ye once seene these her celestial threasures,
And unrevealèd pleasures,
Then would ye wonder, and her prayses sing,
That al the woods should answer, and your echo ring.

Open the temple gates unto my love,
Open them wide that she may enter in,
And all the postes adorne as doth behove,
And all the pillours deck with girlands trim,
For to receyve this Saynt with honour dew,
That commeth in to you.
With trembling steps, and humble reverence,
She commeth in, before th' Almighties view;
Of her ye virgins learne obedience,
When so ye come into those holy places,
To humble your proud faces:
Bring her up to th' high altar, that she may
The sacred ceremonies there partake,
The which do endlesse matrimony make;
And let the roring Organs loudly play
The praises of the Lord in lively notes;
The whiles, with hollow throates,
The Choristers the joyous Antheme sing,
That al the woods may answere, and their eccho ring.

Behold, whiles she before the altar stands,
Hearing the holy priest that to her speakes,
And blesseth her with his two happy hands,
How the red roses flush up in her cheekes,
And the pure snow, with goodly vermill stayne
Like crimsin dyde in grayne:
That even th' Angels, which continually
About the sacred Altare doe remaine,
Forget their service and about her fly,
Ofte peeping in her face, that seems more fayre,
The more they on it stare.
But her sad eyes, still fastened on the ground,
Are governèd with goodly modesty,
That suffers not one looke to glaunce awry,
Which may let in a little thought unsownd.
Why blush ye, love, to give to me your hand,
The pledge of all our band!
Sing, ye sweet Angels, Alleluya sing,
That all the woods may answere, and your eccho ring.

Now al is done: bring home the bride againe;
Bring home the triumph of our victory:
Bring home with you the glory of her gaine;
With joyance bring her and with jollity.
Never had man more joyfull day then this,
Whom heaven would heape with blis,
Make feast therefore now all this live-long day;
This day for ever to me holy is.
Poure out the wine without restraint or stay,
Poure not by cups, but by the belly full,
Poure out to all that wull,
And sprinkle all the postes and wals with wine,
That they may sweat, and drunken be withall.
Crowne ye God Bacchus with a coronall,
And Hymen also crowne with wreathes of vine;
And let the Graces daunce unto the rest,
For they can doo it best:
The whiles the maydens doe theyr carroll sing,
To which the woods shall answer, and theyr eccho ring.

Ring ye the bels, ye yong men of the towne,
And leave your wonted labors for this day:
This day is holy; doe ye write it downe,
That ye for ever it remember may.
This day the sunne is in his chiefest hight,
With Barnaby the bright,
From whence declining daily by degrees,
He somewhat loseth of his heat and light,
When once the Crab behind his back he sees.
But for this time it ill ordainèd was,
To chose the longest day in all the yeare,
And shortest night, when longest fitter weare:
Yet never day so long, but late would passe.
Ring ye the bels, to make it weare away,
And bonefiers make all day;
And daunce about them, and about them sing,
That all the woods may answer, and your eccho ring.

Ah! when will this long weary day have end,
And lende me leave to come unto my love?
How slowly do the houres theyr numbers spend?
How slowly does sad Time his feathers move?
Hast thee, O fayrest Planet, to thy home,
Within the Westerne fome:
Thy tyrèd steedes long since have need of rest.
Long though it be, at last I see it gloome,
And the bright evening-star with golden creast
Appeare out of the East.
Fayre childe of beauty! glorious lampe of love!
That all the host of heaven in rankes doost lead,
And guydest lovers through the nights sad dread,
How chearefully thou lookest from above,
And seemst to laugh atweene thy twinkling light,
As joying in the sight
Of these glad many, which for joy doe sing,
That all the woods them answer, and their echo ring!

Now ceasse, ye damsels, your delights fore-past;
Enough it is that all the day was youres:
Now day is doen, and night is nighing fast,
Now bring the Bryde into the brydall boures.
The night is come, now soon her disaray,
And in her bed her lay;
Lay her in lillies and in violets,
And silken courteins over her display,
And odourd sheetes, and Arras coverlets.
Behold how goodly my faire love does ly,
In proud humility!
Like unto Maia, when as Jove her took
In Tempe, lying on the flowry gras,
Twixt sleepe and wake, after she weary was,
With bathing in the Acidalian brooke.
Now it is night, ye damsels may be gon,
And leave my love alone,
And leave likewise your former lay to sing:
The woods no more shall answere, nor your echo ring.

Now welcome, night! thou night so long expected,
That long daies labour doest at last defray,
And all my cares, which cruell Love collected,
Hast sumd in one, and cancellèd for aye:
Spread thy broad wing over my love and me,
That no man may us see;
And in thy sable mantle us enwrap,
From feare of perrill and foule horror free.
Let no false treason seeke us to entrap,
Nor any dread disquiet once annoy
The safety of our joy;
But let the night be calme, and quietsome,
Without tempestuous storms or sad afray:
Lyke as when Jove with fayre Alcmena lay,
When he begot the great Tirynthian groome:
Or lyke as when he with thy selfe did lie
And begot Majesty.
And let the mayds and yong men cease to sing;
Ne let the woods them answer nor theyr eccho ring.

Let no lamenting cryes, nor dolefull teares,
Be heard all night within, nor yet without:
Ne let false whispers, breeding hidden feares,
Breake gentle sleepe with misconceivèd dout.
Let no deluding dreames, nor dreadfull sights,
Make sudden sad affrights;
Ne let house-fyres, nor lightnings helpelesse harmes,
Ne let the Pouke, nor other evill sprights,
Ne let mischivous witches with theyr charmes,
Ne let hob Goblins, names whose sence we see not,
Fray us with things that be not:
Let not the shriech Oule nor the Storke be heard,
Nor the night Raven, that still deadly yels;
Nor damnèd ghosts, cald up with mighty spels,
Nor griesly vultures, make us once affeard:
Ne let th' unpleasant Quyre of Frogs still croking
Make us to wish theyr choking.
Let none of these theyr drery accents sing;
Ne let the woods them answer, nor theyr eccho ring.

But let stil Silence trew night-watches keepe,
That sacred Peace may in assurance rayne,
And tymely Sleep, when it is tyme to sleepe,
May poure his limbs forth on your pleasant playne;
The whiles an hundred little wingèd loves,
Like divers-fethered doves,
Shall fly and flutter round about your bed,
And in the secret darke, that none reproves,
Their prety stealthes shal worke, and snares shal spread
To filch away sweet snatches of delight,
Conceald through covert night.
Ye sonnes of Venus, play your sports at will!
For greedy pleasure, carelesse of your toyes,
Thinks more upon her paradise of joyes,
Then what ye do, albe it good or ill.
All night therefore attend your merry play,
For it will soone be day:
Now none doth hinder you, that say or sing;
Ne will the woods now answer, nor your Eccho ring.

Who is the same, which at my window peepes?
Or whose is that faire face that shines so bright?
Is it not Cinthia, she that never sleepes,
But walkes about high heaven al the night?
O! fayrest goddesse, do thou not envy
My love with me to spy:
For thou likewise didst love, though now unthought,
And for a fleece of wooll, which privily
The Latmian shepherd once unto thee brought,
His pleasures with thee wrought.
Therefore to us be favorable now;
And sith of wemens labours thou hast charge,
And generation goodly dost enlarge,
Encline thy will t'effect our wishfull vow,
And the chast wombe informe with timely seed
That may our comfort breed:
Till which we cease our hopefull hap to sing;
Ne let the woods us answere, nor our Eccho ring.

And thou, great Juno! which with awful might
The lawes of wedlock still dost patronize;
And the religion of the faith first plight
With sacred rites hast taught to solemnize;
And eeke for comfort often callèd art
Of women in their smart;
Eternally bind thou this lovely band,
And all thy blessings unto us impart.
And thou, glad Genius! in whose gentle hand
The bridale bowre and geniall bed remaine,
Without blemish or staine;
And the sweet pleasures of theyr loves delight
With secret ayde doest succour and supply,
Till they bring forth the fruitfull progeny;
Send us the timely fruit of this same night.
And thou, fayre Hebe! and thou, Hymen free!
Grant that it may so be.
Til which we cease your further prayse to sing;
Ne any woods shall answer, nor your Eccho ring.

And ye high heavens, the temple of the gods,
In which a thousand torches flaming bright
Doe burne, that to us wretched earthly clods
In dreadful darknesse lend desirèd light
And all ye powers which in the same remayne,
More then we men can fayne!
Poure out your blessing on us plentiously,
And happy influence upon us raine,
That we may raise a large posterity,
Which from the earth, which they may long possesse
With lasting happinesse,
Up to your haughty pallaces may mount;
And, for the guerdon of theyr glorious merit,
May heavenly tabernacles there inherit,
Of blessèd Saints for to increase the count.
So let us rest, sweet love, in hope of this,
And cease till then our tymely joyes to sing:
The woods no more us answer, nor our eccho ring!

Song! made in lieu of many ornaments,
With which my love should duly have been dect,
Which cutting off through hasty accidents,
Ye would not stay your dew time to expect,
But promist both to recompens;
Be unto her a goodly ornament,
And for short time an endlesse moniment.

In Honour of a Going Friend

Eating Together
Kim Addonizio

I know my friend is going,
though she still sits there
across from me in the restaurant,
and leans over the table to dip
her bread in the oil on my plate; I know
how thick her hair used to be,
and what it takes for her to discard
her man’s cap partway through our meal,
to look straight at the young waiter
and smile when he asks
how we are liking it. She eats
as though starving—chicken, dolmata,
the buttery flakes of filo—
and what’s killing her
eats, too. I watch her lift
a glistening black olive and peel
the meat from the pit, watch
her fine long fingers, and her face,
puffy from medication. She lowers
her eyes to the food, pretending
not to know what I know. She’s going.
And we go on eating.

As I'm feeling Alice(ish) . . .

The Real Subject [Whir]
Keith Waldrop

Do not alarm yourself, I
could not rest content with
moral lectures and continual
repetition

like the solar system, I
could not hold my head up, made
endlessly to
glow

destined for grand ceremonies, I
was much affected by finding myself so
thin and so worn
down

(we use theory
to mean it is possible to
choose, e.g., why I am just the
size I am)

a million million, a
cool and mortifying manner — what
governs
motions

I am posting this because I am astonished not to have done so before.

One Art
Elizabeth Bishop

The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

Double Standards

Turn Off the TV!
Bruce Lansky

My father gets quite mad at me;
my mother gets upset
when they catch me watching
our new television set.

My father yells, “Turn that thing off!”
Mom says, “It’s time to study.”
I’d rather watch my favorite TV show
with my best buddy.

I sneak down after homework
and turn the set on low.
But when she sees me watching it,
my mother yells out, “No!”

Dad says, “If you don’t turn it off,
I’ll hang it from a tree!”
I rather doubt he’ll do it,
’cause he watches more than me.

He watches sports all weekend
and weekday evenings, too,
while munching chips and pretzels—
the room looks like a zoo.

So if he ever got the nerve
to hang it from a tree,
he’d spend a lot of time up there—
watching it with me.

One for Underground Explorers

Mole
Wyatt Prunty

For weeks he’s tunneled his intricate need
Through the root-rich, fibrous, humoral dark,
Buckling up in zagged illegibles
The cuneiforms and cursives of a blind scribe.

Sleeved by soft earth, a slow reach knuckling,
Small tributaries open from his nudge—
Mild immigrant, bland isolationist,
Berm builder edging the runneling world.

But now the snow, and he’s gone quietly deep,
Nuzzling through a muzzy neighborhood
Of dead-end-street, abandoned cul-de-sac,
And boltrun from a dead-leaf, roundhouse burrow.

May he emerge four months from this as before,
Myopic master of the possible,
Wise one who understands prudential ground,
Revisionist of all things green;

So when he surfaces, lumplike, bashful,
Quizzical as the flashbulb blind who wait
For color to return, he’ll nose our green-
rich air with the imperative poise of now.