A classic translated by a classic:

The Iliad
Book XVIII
(The Shield of Achilles)
Homer
translated by Alexander Pope

Thetis goes to the palace of Vulcan to obtain new arms for her son.


"Thee, welcome, goddess! what occasion calls
(So long a stranger) to these honour'd walls?
'Tis thine, fair Thetis, the command to lay,
And Vulcan's joy and duty to obey."

To whom the mournful mother thus replies:
(The crystal drops stood trembling in her eyes:)
"O Vulcan! say, was ever breast divine
So pierced with sorrows, so o'erwhelm'd as mine?
Of all the goddesses, did Jove prepare
For Thetis only such a weight of care?
I, only I, of all the watery race
By force subjected to a man's embrace,
Who, sinking now with age and sorrow, pays
The mighty fine imposed on length of days.
Sprung from my bed, a godlike hero came,
The bravest sure that ever bore the name;
Like some fair plant beneath my careful hand
He grew, he flourish'd, and he graced the land:
To Troy I sent him! but his native shore
Never, ah never, shall receive him more;
(Even while he lives, he wastes with secret woe;)
Nor I, a goddess, can retard the blow!
Robb'd of the prize the Grecian suffrage gave,
The king of nations forced his royal slave:
For this he grieved; and, till the Greeks oppress'd
Required his arm, he sorrow'd unredress'd.
Large gifts they promise, and their elders send;
In vain--he arms not, but permits his friend
His arms, his steeds, his forces to employ:
He marches, combats, almost conquers Troy:
Then slain by Phoebus (Hector had the name)
At once resigns his armour, life, and fame.
But thou, in pity, by my prayer be won:
Grace with immortal arms this short-lived son,
And to the field in martial pomp restore,
To shine with glory, till he shines no more!"

To her the artist-god: "Thy griefs resign,
Secure, what Vulcan can, is ever thine.
O could I hide him from the Fates, as well,
Or with these hands the cruel stroke repel,
As I shall forge most envied arms, the gaze
Of wondering ages, and the world's amaze!"

Thus having said, the father of the fires
To the black labours of his forge retires.
Soon as he bade them blow, the bellows turn'd
Their iron mouths; and where the furnace burn'd,
Resounding breathed: at once the blast expires,
And twenty forges catch at once the fires;
Just as the god directs, now loud, now low,
They raise a tempest, or they gently blow;
In hissing flames huge silver bars are roll'd,
And stubborn brass, and tin, and solid gold;
Before, deep fix'd, the eternal anvils stand;
The ponderous hammer loads his better hand,
His left with tongs turns the vex'd metal round,
And thick, strong strokes, the doubling vaults rebound.

Then first he form'd the immense and solid shield;
Rich various artifice emblazed the field;
Its utmost verge a threefold circle bound;
A silver chain suspends the massy round;
Five ample plates the broad expanse compose,
And godlike labours on the surface rose.
There shone the image of the master-mind:
There earth, there heaven, there ocean he design'd;
The unwearied sun, the moon completely round;
The starry lights that heaven's high convex crown'd;
The Pleiads, Hyads, with the northern team;
And great Orion's more refulgent beam;
To which, around the axle of the sky,
The Bear, revolving, points his golden eye,
Still shines exalted on the ethereal plain,
Nor bathes his blazing forehead in the main.

Two cities radiant on the shield appear,
The image one of peace, and one of war.
Here sacred pomp and genial feast delight,
And solemn dance, and hymeneal rite;
Along the street the new-made brides are led,
With torches flaming, to the nuptial bed:
The youthful dancers in a circle bound
To the soft flute, and cithern's silver sound:
Through the fair streets the matrons in a row
Stand in their porches, and enjoy the show.

There in the forum swarm a numerous train;
The subject of debate, a townsman slain:
One pleads the fine discharged, which one denied,
And bade the public and the laws decide:
The witness is produced on either hand:
For this, or that, the partial people stand:
The appointed heralds still the noisy bands,
And form a ring, with sceptres in their hands:
On seats of stone, within the sacred place,
The reverend elders nodded o'er the case;
Alternate, each the attesting sceptre took,
And rising solemn, each his sentence spoke
Two golden talents lay amidst, in sight,
The prize of him who best adjudged the right.

Another part (a prospect differing far)(255)
Glow'd with refulgent arms, and horrid war.
Two mighty hosts a leaguer'd town embrace,
And one would pillage, one would burn the place.
Meantime the townsmen, arm'd with silent care,
A secret ambush on the foe prepare:
Their wives, their children, and the watchful band
Of trembling parents, on the turrets stand.
They march; by Pallas and by Mars made bold:
Gold were the gods, their radiant garments gold,
And gold their armour: these the squadron led,
August, divine, superior by the head!
A place for ambush fit they found, and stood,
Cover'd with shields, beside a silver flood.
Two spies at distance lurk, and watchful seem
If sheep or oxen seek the winding stream.
Soon the white flocks proceeded o'er the plains,
And steers slow-moving, and two shepherd swains;
Behind them piping on their reeds they go,
Nor fear an ambush, nor suspect a foe.
In arms the glittering squadron rising round
Rush sudden; hills of slaughter heap the ground;
Whole flocks and herds lie bleeding on the plains,
And, all amidst them, dead, the shepherd swains!
The bellowing oxen the besiegers hear;
They rise, take horse, approach, and meet the war,
They fight, they fall, beside the silver flood;
The waving silver seem'd to blush with blood.
There Tumult, there Contention stood confess'd;
One rear'd a dagger at a captive's breast;
One held a living foe, that freshly bled
With new-made wounds; another dragg'd a dead;
Now here, now there, the carcases they tore:
Fate stalk'd amidst them, grim with human gore.
And the whole war came out, and met the eye;
And each bold figure seem'd to live or die.

A field deep furrow'd next the god design'd,
The third time labour'd by the sweating hind;
The shining shares full many ploughmen guide,
And turn their crooked yokes on every side.
Still as at either end they wheel around,
The master meets them with his goblet crown'd;
The hearty draught rewards, renews their toil,
Then back the turning ploughshares cleave the soil:
Behind, the rising earth in ridges roll'd;
And sable look'd, though form'd of molten gold.

Another field rose high with waving grain;
With bended sickles stand the reaper train:
Here stretched in ranks the levell'd swarths are found,
Sheaves heap'd on sheaves here thicken up the ground.
With sweeping stroke the mowers strow the lands;
The gatherers follow, and collect in bands;
And last the children, in whose arms are borne
(Too short to gripe them) the brown sheaves of corn.
The rustic monarch of the field descries,
With silent glee, the heaps around him rise.
A ready banquet on the turf is laid,
Beneath an ample oak's expanded shade.
The victim ox the sturdy youth prepare;
The reaper's due repast, the woman's care.

Next, ripe in yellow gold, a vineyard shines,
Bent with the ponderous harvest of its vines;
A deeper dye the dangling clusters show,
And curl'd on silver props, in order glow:
A darker metal mix'd intrench'd the place;
And pales of glittering tin the inclosure grace.
To this, one pathway gently winding leads,
Where march a train with baskets on their heads,
(Fair maids and blooming youths,) that smiling bear
The purple product of the autumnal year.
To these a youth awakes the warbling strings,
Whose tender lay the fate of Linus sings;
In measured dance behind him move the train,
Tune soft the voice, and answer to the strain.

Here herds of oxen march, erect and bold,
Rear high their horns, and seem to low in gold,
And speed to meadows on whose sounding shores
A rapid torrent through the rushes roars:
Four golden herdsmen as their guardians stand,
And nine sour dogs complete the rustic band.
Two lions rushing from the wood appear'd;
And seized a bull, the master of the herd:
He roar'd: in vain the dogs, the men withstood;
They tore his flesh, and drank his sable blood.
The dogs (oft cheer'd in vain) desert the prey,
Dread the grim terrors, and at distance bay.

Next this, the eye the art of Vulcan leads
Deep through fair forests, and a length of meads,
And stalls, and folds, and scatter'd cots between;
And fleecy flocks, that whiten all the scene.

A figured dance succeeds; such once was seen
In lofty Gnossus for the Cretan queen,
Form'd by Daedalean art; a comely band
Of youths and maidens, bounding hand in hand.
The maids in soft simars of linen dress'd;
The youths all graceful in the glossy vest:
Of those the locks with flowery wreath inroll'd;
Of these the sides adorn'd with swords of gold,
That glittering gay, from silver belts depend.
Now all at once they rise, at once descend,
With well-taught feet: now shape in oblique ways,
Confusedly regular, the moving maze:
Now forth at once, too swift for sight, they spring,
And undistinguish'd blend the flying ring:
So whirls a wheel, in giddy circle toss'd,
And, rapid as it runs, the single spokes are lost.
The gazing multitudes admire around:
Two active tumblers in the centre bound;
Now high, now low, their pliant limbs they bend:
And general songs the sprightly revel end.

Thus the broad shield complete the artist crown'd
With his last hand, and pour'd the ocean round:
In living silver seem'd the waves to roll,
And beat the buckler's verge, and bound the whole.

This done, whate'er a warrior's use requires
He forged; the cuirass that outshone the fires,
The greaves of ductile tin, the helm impress'd
With various sculpture, and the golden crest.
At Thetis' feet the finished labour lay:
She, as a falcon cuts the aerial way,
Swift from Olympus' snowy summit flies,
And bears the blazing present through the skies.

Double-Play

About Face
Alice Fulton

Because life's too short to blush,
I keep my blood tucked in.
I won't be mortified
by what I drive or the flaccid
vivacity of my last dinner party.
I take my cue from statues posing only
in their shoulder pads of snow: all January
you can see them working on their granite tans.

That I woke at an ungainly hour,
stripped of the merchandise that clothed me,
distilled to pure suchness,
means not enough to anyone for me
to confess. I do not suffer
from the excess of taste
that spells embarrassment:
mothers who find their kids unseemly
in their condom earrings,
girls cringing to think
they could be frumpish as their mothers.
Though the late nonerotic Elvis
in his studded gut of jumpsuit
made everybody squeamish, I admit.
Rule one: the King must not elicit pity.

Was the audience afraid of being tainted
--this might rub off on me--
or were they--surrendering--
what a femme word--feeling
solicitous--glimpsing their fragility
in his reversible purples
and unwholesome goldish chains?

At least embarrassment is not an imitation.
It's intimacy for beginners,
the orgasm no one cares to fake.
I almost admire it. I almost wrote despise.

A Little Midnight Dowland

If you haven't heard this played or sung, then you should.

Flow my tears
John Dowland

Flow, my tears, fall from your springs!

Exiled for ever, let me mourn;

Where night's black bird her sad infamy sings,

There let me live forlorn.

Down vain lights, shine you no more!

No nights are dark enough for those

That in despair their lost fortunes deplore.

Light doth but shame disclose.

Never may my woes be relieved,

Since pity is fled;

And tears and sighs and groans my weary days

Of all joys have deprived.

From the highest spire of contentment

My fortune is thrown;

And fear and grief and pain for my deserts

Are my hopes, since hope is gone.

Hark! you shadows that in darkness dwell,

Learn to contemn light

Happy, happy they that in hell

Feel not the world's despite.

Another Thing Unseen

Landscape With the Fall of Icarus
William Carlos Williams

According to Brueghel
when Icarus fell
it was spring

a farmer was ploughing
his field
the whole pageantry

of the year was
awake tingling
near

the edge of the sea
concerned
with itself

sweating in the sun
that melted
the wings' wax

unsignificantly
off the coast
there was

a splash quite unnoticed
this was
Icarus drowning

Lessons Beneath the Skin

Alice at Seventeen: Like a Blind Child
Darcy Cummings

One summer afternoon, I learned my body
like a blind child leaving a walled
school for the first time, stumbling
from cool hallways to a world
dense with scent and sound,
pines roaring in the sudden wind
like a huge chorus of insects.
I felt the damp socket of flowers,
touched weeds riding the crest
of a stony ridge, and the scrubby
ground cover on low hills.
Haystacks began to burn,
smoke rose like sheets of
translucent mica. The thick air
hummed over the stretched wires
of wheat as I lay in the overgrown field
listening to the shrieks of small rabbits
bounding beneath my skin.

A Romance Before Bedtime

The Lady of Shallott
Alfred, Lord Tennyson

On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And through the field the road run by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.

Willows whiten, aspens quiver,
Little breezes dusk and shiver
Through the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four grey walls, and four grey towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.

By the margin, willow veil'd,
Slide the heavy barges trail'd
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?

Only reapers, reaping early,
In among the bearded barley
Hear a song that echoes cheerly
From the river winding clearly;
Down to tower'd Camelot;
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers, " 'Tis the fairy
The Lady of Shalott."

There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.

And moving through a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot;
There the river eddy whirls,
And there the surly village churls,
And the red cloaks of market girls
Pass onward from Shalott.

Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd lad,
Or long-hair'd page in crimson clad
Goes by to tower'd Camelot;
And sometimes through the mirror blue
The knights come riding two and two.
She hath no loyal Knight and true,
The Lady of Shalott.

But in her web she still delights
To weave the mirror's magic sights,
For often through the silent nights
A funeral, with plumes and lights
And music, went to Camelot;
Or when the Moon was overhead,
Came two young lovers lately wed.
"I am half sick of shadows," said
The Lady of Shalott.

A bow-shot from her bower-eaves,
He rode between the barley sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.

The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armor rung
Beside remote Shalott.

All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, burning bright,
Moves over still Shalott.

His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flashed into the crystal mirror,
"Tirra lirra," by the river
Sang Sir Lancelot.

She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.

In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining.
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And around about the prow she wrote
The Lady of Shalott.

And down the river's dim expanse
Like some bold seer in a trance,
Seeing all his own mischance --
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.

Lying, robed in snowy white
That loosely flew to left and right --
The leaves upon her falling light --
Thro' the noises of the night,
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.

Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darkened wholly,
Turn'd to tower'd Camelot.
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.

Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and Burgher, Lord and Dame,
And around the prow they read her name,
The Lady of Shalott.

Who is this? And what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they crossed themselves for fear,
All the Knights at Camelot;
But Lancelot mused a little space
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."

Three Burns

Here are three by Robert Burns.

Afton Water

Flow gently, sweet Afton, among thy green braes,
Flow gently, I'll sing thee a song in thy praise;
My Mary's asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dream.

Thou stock-dove whose echo resounds through the glen,
Ye wild whistling blackbirds in yon thorny den,
Thou green-crested lapwing, thy screaming forbear,
I charge you disturb not my slumbering fair.

How lofty, sweet Afton, thy neighboring hills,
Far marked with the courses of clear winding rills;
There daily I wander as noon rises high,
My flocks and my Mary's sweet cot in my eye.

How pleasant thy banks and green valleys below,
Where wild in the woodlands the primroses blow;
There oft as mild evening weeps over the lea,
The sweet-scented birk shades my Mary and me.

Thy crystal stream, Afton, how lovely it glides,
And winds by the cot where my Mary resides;
How wanton thy waters her snowy feet lave,
As gathering sweet flowerets she stems thy clear wave.

Flow gently, sweet Afton, among thy green braes,
Flow gently, sweet river, the theme of my lays;
My Mary's asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dreams.

§

A Rose-bud by my early walk

A Rose-bud by my early walk,
Adown a corn-enclosed bawk,
Sae gently bent its thorny stalk,
All on a dewy morning.
Ere twice the shades o' dawn are fled,
In a' its crimson glory spread,
And drooping rich the dewy head,
It scents the early morning.

Within the bush her covert nest
A little linnet fondly prest;
The dew sat chilly on her breast,
Sae early in the morning.
She soon shall see her tender brood,
The pride, the pleasure o' the wood,
Amang the fresh green leaves bedew'd,
Awake the early morning.

So thou, dear bird, young Jeany fair,
On trembling string or vocal air,
Shall sweetly pay the tender care
That tents thy early morning.
So thou, sweet Rose-bud, young and gay,
Shalt beauteous blaze upon the day,
And bless the parent's evening ray
That watch'd thy early morning.

§

On the Seas and Far Away

How can my poor heart be glad,
When absent from my sailor lad;
How can I the thought forego-
He's on the seas to meet the foe?
Let me wander, let me rove,
Still my heart is with my love;
Nightly dreams, and thoughts by day,
Are with him that's far away.

Chorus.-On the seas and far away,
On stormy seas and far away;
Nightly dreams and thoughts by day,
Are aye with him that's far away.

When in summer noon I faint,
As weary flocks around me pant,
Haply in this scorching sun,
My sailor's thund'ring at his gun;
Bullets, spare my only joy!
Bullets, spare my darling boy!
Fate, do with me what you may,
Spare but him that's far away,
On the seas and far away,
On stormy seas and far away;
Fate, do with me what you may,
Spare but him that's far away.

At the starless, midnight hour
When Winter rules with boundless power,
As the storms the forests tear,
And thunders rend the howling air,
Listening to the doubling roar,
Surging on the rocky shore,
All I can-I weep and pray
For his weal that's far away,
On the seas and far away,
On stormy seas and far away;
All I can-I weep and pray,
For his weal that's far away.

Peace, thy olive wand extend,
And bid wild War his ravage end,
Man with brother Man to meet,
And as a brother kindly greet;
Then may heav'n with prosperous gales,
Fill my sailor's welcome sails;
To my arms their charge convey,
My dear lad that's far away.
On the seas and far away,
On stormy seas and far away;
To my arms their charge convey,
My dear lad that's far away.