31 December 2007

A Day Early


New Year’s Day

Ko Un

This is the loneliest spot in the country on New Year’s Day.
I’ve spent the whole long winter here,
devoid of everything.
It’s been a week already since the boats stopped running.
Chuja Island goes on getting smaller
until sad eyes cannot see it.

Don’t overturn the glass from which you drank.
Once you’re past thirty,
you can make friends with an empty glass.

Tell me, wind: what can I hope for on New Year’s Day on this remote island?
After some tedious, very tedious reading
by the light of a small oil lamp,
I mutter a single drunken line
but vowels alone can’t make it audible
as far as that widower’s tomb out there.

So, wind: let none live here but those who will die here.
Endurance is the greatest journey of all.
Even if the boats are completely overwhelmed by the gale,
I’m going to set out, though I’ve got no overcoat.

Tell me again, wind: what more can I hope for on New Year’s Day?
From the guts of a boarding house, coughs flee
one after another, that’s all I can hear.
One day, they’ll return, transformed into the local dialect.
Ah, New Year’s greetings, buried alive by Cheju Island’s wild whirlwinds.

30 December 2007

No Forgetting


a poem by Izumi Shikibu

At the Temple Ceremony for Her Departed Daughter
translated by Jane Hirshfield with Mariko Aratani

Unendurable grief.
For not so brief an instant
as that between the notes
of the monk's bell
will I forget you.


29 December 2007

Poetry is not Always Composed of Words


Acknowledging that, I should like to invite you to look at Crac, a gentle piece of animation, fifteen minutes long, made in 1981.

Waking and Rising


Morning Song
Sylvia Plath

Love set you going like a fat gold watch.
The midwife slapped your footsoles, and your bald cry
Took its place among the elements.

Our voices echo, magnifying your arrival. New statue.
In a drafty museum, your nakedness
Shadows our safety. We stand round blankly as walls.

I'm no more your mother
Than the cloud that distills a mirror to reflect its own slow
Effacement at the wind's hand.

All night your moth-breath
Flickers among the flat pink roses. I wake to listen:
A far sea moves in my ear.

One cry, and I stumble from bed, cow-heavy and floral
In my Victorian nightgown.
Your mouth opens clean as a cat's. The window square

Whitens and swallows its dull stars. And now you try
Your handful of notes;
The clear vowels rise like balloons.



28 December 2007

Three by Joyce


Ecce Puer

James Joyce

Of the dark past
A child is born;
With joy and grief
My heart is torn.

Calm in his cradle
The living lies.
May love and mercy
Unclose his eyes!

Young life is breathed
On the glass;
The world that was not
Comes to pass.

A child is sleeping:
An old man gone.
O, father forsaken,
Forgive your son!


A Flower Given to my Daughter

Frail the white rose and frail are
Her hands that gave
Whose soul is sere and paler
Than time's wan wave.

Rosefrail and fair -- yet frailest
A wonder wild
In gentle eyes thou veilest,
My blueveined child.


Bright Cap and Streamers

Bright cap and streamers,
He sings in the hollow:
Come follow, come follow,
All you that love.
Leave dreams to the dreamers
That will not after,
That song and laughter
Do nothing move.

With ribbons streaming
He sings the bolder;
In troop at his shoulder
The wild bees hum.
And the time of dreaming
Dreams is over--
As lover to lover,
Sweetheart, I come.




27 December 2007

Words on Words

Untitled
Ko Un

One day I took a pebble from
an East Sea beach and put it in my pocket
but it jumped back out, shrieking.

As it hurtled off into the distance,
it failed to make the slightest sound.

It had no idea of the strong emotions I was longing for.

Out at sea are flocks of seagulls
ready to peck out and swallow facile words.


§


One day,
I thought it was a visitor,

One day,
I thought it was the master.

Over those years
I dreamed of the smoke
coming from the chimneys.

I still do not know who the poem is.

§

Achilles' Song
Robert Duncan

I do not know more than the Sea tells me,
told me long ago, or I overheard Her
telling distant roar upon the sands,
waves of meaning in the cradle of whose
sounding and resounding power I
slept.

Manchild, She sang

--or was it a storm uplifting the night
into a moving wall in which
I was carried as if a mothering nest had
been made in dread?

the wave of a life darker than my
life before me sped, and I,
larger than I was, grown dark as
the shoreless depth,
arose from myself, shaking the last
light of the sun
from me.

Manchild, She said,

Come back to the shores of what you are.
Come back to the crumbling shores.

All night
The mothering tides in which your
Life first formd in the brooding
light have quencht the bloody
Splendors of the sun

and, under the triumphant processions
of the moon, lay down
thunder upon thunder of an old
longing, the beat

of whose repeated spell
consumes you.

Thetis, then,
my mother, has promised me
the mirage of a boat, a vehicle
of water within the water,
and my soul would return from
the trials of its human state,
from the long siege, from the
struggling companions upon the plain,
from the burning towers and deeds
of honor and dishonor,
the deeper unsatisfied war beneath
and behind the declared war,
and the rubble of beautiful, patiently
workt moonstones, agates, jades, obsidians,

turnd and returnd in the wash of
the tides, the gleaming waste,
the pathetic wonder,

words turnd in the phrases of song
before our song ...or are they

beautiful, patiently workt remembrances of those
long gone from me,
returned anew, ghostly in the light
of the moon, old faces?

For Thetis, my mother, has promised
me a boat,
a lover, an up-lifter of my spirit
into the rage of my first element
rising, a princedom
in the unreal, a share in Death

*

Time, time. It's time.

The business of Troy has long been done.

Achilles in lreuke has come home.

And soon you too will be alone.


§


A Quick One Before I Go
David Lehman

There comes a time in every man's life
when he thinks: I have never had a single
original thought in my life
including this one & therefore I shall
eliminate all ideas from my poems
which shall consist of cats, rice, rain
baseball cards, fire escapes, hanging plants
red brick houses where I shall give up booze
and organized religion even if it means
despair is a logical possibility that can't
be disproved I shall concentrate on the five
senses and what they half perceive and half
create, the green street signs with white
letters on them the body next to mine
asleep while I think these thoughts
that I want to eliminate like nostalgia
0 was there ever a man who felt as I do
like a pronoun out of step with all the other
floating signifiers no things but in words
an orange T-shirt a lime green awning

26 December 2007

A Sort of Afterdrift of Christmas


Shovelling Snow with Buddha
Billy Collins

In the usual iconography of the temple or the local Wok
you would never see him doing such a thing,
tossing the dry snow over a mountain
of his bare, round shoulder,
his hair tied in a knot,
a model of concentration.

Sitting is more his speed, if that is the word
for what he does, or does not do.

Even the season is wrong for him.
In all his manifestations, is it not warm or slightly humid?
Is this not implied by his serene expression,
that smile so wide it wraps itself around the waist of the universe?

But here we are, working our way down the driveway,
one shovelful at a time.
We toss the light powder into the clear air.
We feel the cold mist on our faces.
And with every heave we disappear
and become lost to each other
in these sudden clouds of our own making,
these fountain-bursts of snow.

This is so much better than a sermon in church,
I say out loud, but Buddha keeps on shoveling.
This is the true religion, the religion of snow,
and sunlight and winter geese barking in the sky,
I say, but he is too busy to hear me.

He has thrown himself into shoveling snow
as if it were the purpose of existence,
as if the sign of a perfect life were a clear driveway
you could back the car down easily
and drive off into the vanities of the world
with a broken heater fan and a song on the radio.

All morning long we work side by side,
me with my commentary
and he inside his generous pocket of silence,
until the hour is nearly noon
and the snow is piled high all around us;
then, I hear him speak.

After this, he asks,
can we go inside and play cards?

Certainly, I reply, and I will heat some milk
and bring cups of hot chocolate to the table
while you shuffle the deck.
and our boots stand dripping by the door.

Aaah, says the Buddha, lifting his eyes
and leaning for a moment on his shovel
before he drives the thin blade again
deep into the glittering white snow.Billy Collins

In the usual iconography of the temple or the local Wok
you would never see him doing such a thing,
tossing the dry snow over a mountain
of his bare, round shoulder,
his hair tied in a knot,
a model of concentration.

Sitting is more his speed, if that is the word
for what he does, or does not do.

Even the season is wrong for him.
In all his manifestations, is it not warm or slightly humid?
Is this not implied by his serene expression,
that smile so wide it wraps itself around the waist of the universe?

But here we are, working our way down the driveway,
one shovelful at a time.
We toss the light powder into the clear air.
We feel the cold mist on our faces.
And with every heave we disappear
and become lost to each other
in these sudden clouds of our own making,
these fountain-bursts of snow.

This is so much better than a sermon in church,
I say out loud, but Buddha keeps on shoveling.
This is the true religion, the religion of snow,
and sunlight and winter geese barking in the sky,
I say, but he is too busy to hear me.

He has thrown himself into shoveling snow
as if it were the purpose of existence,
as if the sign of a perfect life were a clear driveway
you could back the car down easily
and drive off into the vanities of the world
with a broken heater fan and a song on the radio.

All morning long we work side by side,
me with my commentary
and he inside his generous pocket of silence,
until the hour is nearly noon
and the snow is piled high all around us;
then, I hear him speak.

After this, he asks,
can we go inside and play cards?

Certainly, I reply, and I will heat some milk
and bring cups of hot chocolate to the table
while you shuffle the deck.
and our boots stand dripping by the door.

Aaah, says the Buddha, lifting his eyes
and leaning for a moment on his shovel
before he drives the thin blade again
deep into the glittering white snow.