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The New York School of poetry is not a scholastic site, but a convergence of place and period. Every now and then, one has to dip into a nice convergence.
Buried at Springs
James Schuyler
There is a hornet in the room
and one of us will have to go
out the window into the late
August midafternoon sun. I
won. There is a certain challenge
in being humane to hornets
but not much. A launch draws
two lines of wake behind it
on the bay like a delta
with a melted base. Sandy
billows, or so they look,
of feathery ripe heads of grass,
an acid-yellow kind of
goldenrod glowing or glowering
in shade. Rocks with rags
of shadow, washed dust clouts
that will never bleach.
It is not like this at all.
The rapid running of the
lapping water a hollow knock
of someone shipping oars:
it’s eleven years since
Frank sat at this desk and
saw and heard it all
the incessant water the
immutable crickets only
not the same: new needles
on the spruce, new seaweed
on the low-tide rocks
other grass and other water
even the great gold lichen
on a granite boulder
even the boulder quite
literally is not the same
II
A day subtle and suppressed
in mounds of juniper enfolding
scratchy pockets of shadow
while bigness—rocks, trees, a stump—
stands shadowless in an overcast
of ripe grass. There is nothing
but shade, like the boggy depths
of a stand of spruce, its resonance
just the thin scream
of mosquitoes ascending.
Boats are light lumps on the bay
stretching past erased islands
to ocean and the terrible tumble
and London (“rain persisting”)
and Paris (“changing to rain”).
Delicate day, setting the bright
of a young spruce against the cold
of an old one hung with unripe cones
each exuding at its tip
gum, pungent, clear as a tear,
a day tarnished and fractured
as the quartz in the rocks
of a dulled and distant point,
a day like a gull passing
with a slow flapping of wings
in a kind of lope, without
breeze enough to shake loose
the last of the fireweed flowers,
a faintly clammy day, like wet silk
stained by one dead branch
the harsh russet of dried blood.
(and both separation and degrees come in many forms):
Lines to Accompany Flowers for Eve
Carolyn Kizer
who took heroin, then sleeping pills, and who lies in a New York hospital
The florist was told, cyclamen or azalea;
White in either case, for you are pale
As they are, “blooming early and profusely”
Though the azalea grows in sandier soil,
Needing less care; while cyclamen’s fleshy tubers
Are adored, yes, rooted out by some.
One flourishes in aridness, while the other
Feeds the love which devours.
But what has flung you here for salvaging
From a city’s dereliction, this New York?
A world against whose finger-and-breath-marked windows
These weak flares may be set.
Our only bulwark is the frailest cover:
Lovers touch from terror of being alone.
The urban surface: tough and granular,
Poor ground for the affections to take root.
Left to our own devices, we devise
Such curious deaths, comas, or mutilations!
You may buy peace, white, in sugary tincture,
No way of knowing its strength, or your own,
Until you lie quite still, your perfect limbs
In meditation: the spirit rouses, flutters
Like a handkerchief at a cell window, signaling,
Self-amazed, its willingness to endure.
The thing to cling to is the sense of expectation.
Who knows what may occur in the next breath?
In the pallor of another morning we neither
Anticipated nor wanted! Eve, waken to flowers
Unforeseen, from someone you don’t even know.
Azalea or cyclamen ... we live in wonder,
Blaze in a cycle of passion and apprehension
Though once we lay and waited for a death.
Another Lullaby for Insomniacs
A E Stallings
Sleep, she will not linger:
She turns her moon-cold shoulder.
With no ring on her finger,
You cannot hope to hold her.
She turns her moon-cold shoulder
And tosses off the cover.
You cannot hope to hold her:
She has another lover.
She tosses off the cover
And lays the darkness bare.
She has another lover.
Her heart is otherwhere.
She lays the darkness bare.
You slowly realize
Her heart is otherwhere.
There's distance in her eyes.
You slowly realize
That she will never linger,
With distance in her eyes
And no ring on her finger.
2212 West Flower Street
Michael Collier
When I think of the man who lived in the house
behind ours and how he killed his wife
and then went into his own back yard,
a few short feet from my bedroom window,
and put the blue-black barrel of his 30.06
inside his mouth and pulled the trigger,
I do not think about how much of the barrel
he had to swallow before his fingers reached the trigger,
nor the bullet that passed out the back of his neck,
nor the wild orbit of blood that followed
his crazy dance before he collapsed in a clatter
over the trash cans, which woke me.
Instead I think of how quickly his neighbors restored
his humanity, remembering his passion
for stars which brought him into his yard
on clear nights, with a telescope and tripod,
or the way he stood in the alley in his rubber boots
and emptied the red slurry from his rock tumblers
before he washed the glassy chunks of agate
and petrified wood. And we remembered, too,
the goose-neck lamp on the kitchen table
that burned after dinner and how he worked
in its bright circle to fashion flies and lures.
The hook held firmly in a jeweler’s vise,
while he wound the nylon thread around the haft
and feathers. And bending closer to the light,
he concentrated on tying the knots, pulling them tight
against the coiled threads. And bending closer still,
turning his head slightly toward the window,
his eyes lost in the dark yard, he took the thread ends
in his teeth and chewed them free. Perhaps he saw us
standing on the sidewalk watching him, perhaps he didn’t.
He was a man so much involved with what he did,
and what he did was so much of his loneliness,
our presence didn’t matter. No one’s did.
So careful and precise were all his passions,
he must have felt the hook with its tiny barbs
against his lip, sharp and trigger-shaped.
It must have been a common danger for him—
the wet clear membrane of his mouth threatened
by the flies and lures, the beautiful enticements
he made with his own hands and the small loose
thread ends which clung to the roof of his mouth
and which he tried to spit out like an annoyance
that would choke him.
Different Ways to Pray
Naomi Shihab Nye
There was the method of kneeling,
a fine method, if you lived in a country
where stones were smooth.
The women dreamed wistfully of bleached courtyards,
hidden corners where knee fit rock.
Their prayers were weathered rib bones,
small calcium words uttered in sequence,
as if this shedding of syllables could somehow
fuse them to the sky.
There were the men who had been shepherds so long
they walked like sheep.
Under the olive trees, they raised their arms—
Hear us! We have pain on earth!
We have so much pain there is no place to store it!
But the olives bobbed peacefully
in fragrant buckets of vinegar and thyme.
At night the men ate heartily, flat bread and white cheese,
and were happy in spite of the pain,
because there was also happiness.
Some prized the pilgrimage,
wrapping themselves in new white linen
to ride buses across miles of vacant sand.
When they arrived at Mecca
they would circle the holy places,
on foot, many times,
they would bend to kiss the earth
and return, their lean faces housing mystery.
While for certain cousins and grandmothers
the pilgrimage occurred daily,
lugging water from the spring
or balancing the baskets of grapes.
These were the ones present at births,
humming quietly to perspiring mothers.
The ones stitching intricate needlework into children’s dresses,
forgetting how easily children soil clothes.
There were those who didn’t care about praying.
The young ones. The ones who had been to America.
They told the old ones, you are wasting your time.
Time?—The old ones prayed for the young ones.
They prayed for Allah to mend their brains,
for the twig, the round moon,
to speak suddenly in a commanding tone.
And occasionally there would be one
who did none of this,
the old man Fowzi, for example, Fowzi the fool,
who beat everyone at dominoes,
insisted he spoke with God as he spoke with goats,
and was famous for his laugh.
Ah, Ah
Joy Harjo
for Lurline McGregor
Ah, ah cries the crow arching toward the heavy sky over the marina.
Lands on the crown of the palm tree.
Ah, ah slaps the urgent cove of ocean swimming through the slips.
We carry canoes to the edge of the salt.
Ah, ah groans the crew with the weight, the winds cutting skin.
We claim our seats. Pelicans perch in the draft for fish.
Ah, ah beats our lungs and we are racing into the waves.
Though there are worlds below us and above us, we are straight ahead.
Ah, ah tatttoos the engines of your plane against the sky—away from these waters.
Each paddle stroke follows the curve from reach to loss.
Ah, ah calls the sun from a fishing boat with a pale, yellow sail. We fly by
on our return, over the net of eternity thrown out for stars.
Ah, ah scrapes the hull of my soul. Ah, ah.
For the Ex-Wife on the Occasion of Her Birthday
Thomas P. Lynch
Let me say outright that I bear you no
unusual malice anymore. Nor
do I wish for you tumors or loose stools,
blood in your urine, oozings from any orifice.
The list is endless of those ills I do not pray befall you:
night sweats, occasional itching, PMS,
fits, starts, ticks, boils, bad vibes, vaginal odors,
emotional upheavals or hormonal disorders;
green discharges, lumps, growths, nor tell-tale signs of gray;
dry heaves, hiccups, heartbreaks, fallen ovaries
nor cramps—before, during, or after. I pray you only
laughter in the face of your mortality
and freedom from the ravages of middle age:
bummers, boredom, cellulite, toxic shock and pregnancies;
migraines, glandular problems, the growth of facial hair,
sagging breasts, bladder infections, menopausal rage,
flatulence or overdoses, hot flashes or constant nausea,
uterine collapse or loss of life or limb or faith
in the face of what might seem considerable debilities.
Think of your life not as half-spent but as half-full
of possibilities. The Arts maybe, or
Music, Modern Dance, or Hard Rock Videos.
Whatever, this is to say I hereby recant
all former bitterness and proffer only all the best
in the way of Happy Birthday wishes.
I no longer want your mother committed,
your friends banished, your donkey lovers taken out and shot
or spayed or dragged behind some Chevrolet of doom.
I pray you find that space or room or whatever it is
you and your shrink have always claimed you’d need
to spread your wings and realize your insuperable potential.
Godspeed is what I say, and good credentials:
what with your background in fashions and aerobics,
you’d make a fairly bouncy brain surgeon
or well-dressed astronaut or disc jockey.
The children and I will be watching with interest
and wouldn’t mind a note from time to time
to say you’ve overcome all obstacles this time;
overcome your own half-hearted upbringing,
a skimpy wardrobe, your lowly self-esteem,
the oppression of women and dismal horoscopes;
overcome an overly dependent personality,
stretch marks, self-doubt, a bad appendix scar,
the best years of your life misspent on wifing and mothering.
So let us know exactly how you are once
you have triumphed, after all. Poised and ready
on the brink of, shall we say, your middle years,
send word when you have gained by the luck of the draw,
the kindness of strangers, or by dint of will itself
if not great fame then self-sufficiency.
Really, now that I’ve my hard-won riddance of you
signed and sealed and cooling on the books against
your banks and creditors; now that I no
longer need endure your whining discontent,
your daylong, nightlong carping over lost youth,
bum luck, spilt milk, what you might have been,
or pining not so quietly for a new life in
New York with new men; now that I have been
more or less officially relieved of
all those hapless duties husbanding
a woman of your disenchantments came to be,
I bid you No Deposits, No Returns,
but otherwise a very Happy Birthday.
And while this mayn’t sound exactly like good will
in some important ways it could be worse.
The ancients in my family had a way with words
and overzealous habits of revenge
whereby the likes of you were turned to birds
and made to nest among the mounds of dung
that rose up in the wake of cattle herds
grazing their way across those bygone parishes
where all that ever came with age was wisdom.
