In an article in The Guardian, Seamus Heaney wrote, 'Poetry is a domestic art, most itself when most at home.'
Here, then, some (in the English and not the American sense), is some homely verse.
Here, then, some (in the English and not the American sense), is some homely verse.
Ezra Pound, for underground commuters:
In a Station of the Metro
The apparition of these faces in the crowd;
Petals on a wet, black bough.
For farmers, vine-keepers and others who tend the children of the ground, Basho:
When a cuckoo sings
on a hill, tea-pickers stand
stock-still to listen.
Minosuke Noguchi for watchers of changing seasons:
As I consider each of these beautiful autumn leaves
Wind, stop blowing, until they all fall
Up to yesterday, steeped in autumn's beauty
Then unexpectedly, a snowy landscape
And, in and of itself, home:
Home
Bruce Weigl
I didn't know I was grateful
for such late-autumn
bent-up cornfields
yellow in the after-harvest
sun before the
cold plow turns it all over
into never.
I didn't know
I would enter this music
that translates the world
back into dirt fields
that have always called to me
as if I were a thing
come from the dirt,
like a tuber,
or like a needful boy. End
Lonely days, I believe. End the exiled
and unraveling strangeness.
Dignity in the Home
Betsy Brown
All the chairs and the long brown couch just lay
down on the floor in a line and the thin
curtains joined them, sort of on the side
or fluttering down onto them and I watched
thinking this is the kind of loneliness I
should've known about and this is nonsense: I object.
But the furniture line was so heavy
it went right out the door and some of my
neighbors' lamps joined in, the tails
of extension cords and paths of towels and bedding
went straight down the lawn to the lake where
even my toothbrush and coffee mug with the cats
on it had slunk, so dejected it didn't
even matter they were in the water with some
cold rocks and a clam. All were loaded down
with the despair so poignant in furnishings, each
I tried to coax back into the house, gathering
the alarm clock and frying pan from the lake,
but, almost politely, they moved from
my hands back down to that cold home
with the fierce clam, who guarded them
from my confusion. They were so quiet
about it, I love them. My pajamas floated
with such purpose, reached for the laces of one of my
old tennis shoes out nearly to the reef,
reached without expectation.
No comments:
Post a Comment