10 February 2008
All Roads Lead
The Street
Robert Pinsky
Streaked and fretted with effort, the thick
Vine of the world, red nervelets
Coiled at its tips.
All roads lead from it. All night
Wainwrights and upholsterers work finishing
The wheeled coffin
Of the dead favorite of the Emperor,
The child's corpse propped seated
On brocade, with yellow
Oiled curls, kohl on the stiff lids.
Slaves throw petals on the roadway
For the cortege, white
Languid flowers shooting from dark
Blisters on the vine, ramifying
Into streets. On mine,
Rockwell Avenue, it was embarassing:
Trouble--fights, the police, sickness--
Seemed never to come
For anyone when they were fully dressed.
It was always underwear or dirty pyjamas,
Unseemly stretches
Of skin showing through a torn housecoat.
Once a stranger drove off in a car
With somebody's wife,
And he ran after them in his undershirt
And threw his shoe at the car. It bounced
Into the street
Harmlessly, and we carried it back to him;
But the man had too much dignity
To put it back on,
So he held it and stood crying in the street:
"He's breaking up my home," he said,
"The son of a bitch
Bastard is breaking up my home." The street
Rose undulant in pavement-breaking coils
And the man rode it,
Still holding his shoe and stiffly upright
Like a trick rider in the circus parade
That came down the street
Each August. As the powerful dragonlike
Hump swelled he rose cursing and ready
To throw his shoe--woven
Angular as a twig into the fabulous
Rug or brocade with crowns and camels,
Leopards and rosettes,
All riding the vegetable wave of the street
>From the John Flock Mortuary Home
Down to the river.
It was a small place, and off the center,
But so much a place to itself, I felt
Like a young prince
Or aspirant squire. I knew that Ivanhoe
Was about race. The Saxons were Jews,
Or even Coloreds,
With their low-ceilinged, ubeleivably
Sour-smelling houses down by the docks.
Everything was written
Or woven, ivory and pink and emerald--
Nothing was too ugly or petty or terrible
To be weighed in the immense
Silver scales of the dead: the looming
Balances set right onto the live, dangerous
Gray bark of the street.
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